[ { "_id": "5bb7fb8a72f3be0005e6364b", "metadata": { "location": [ { "value": "St. Louis" }, { "value": "Cortex Innovation Community" }, { "value": "Venture Cafe" } ], "date": [ { "value": "2018" } ] }, "title": "Art Hack Day Eclipse", "creatorUserId": 1, "type": "exhibition", "url": "art-hack-day-eclipse", "metadataString": "{\"location\":[{\"value\":\"St. Louis\"},{\"value\":\"Cortex Innovation Community\"},{\"value\":\"Venture Cafe\"}],\"date\":[{\"value\":\"2018\"}]}" }, { "_id": "5bb819a072f3be0005e6364c", "metadata": { "location": [ { "value": "San Francisco" }, { "value": "Gray Area Foundation for the Arts" } ], "date": [ { "value": "2018-07-27" }, { "value": "2018-07-28" } ], "link": [ { "value": "https://en.wikipedia.org/wiki/Gray_Area_Foundation_for_the_Arts#Gray_Area_Festival" } ] }, "title": "Distributed Systems", "creatorUserId": 1, "type": "exhibition", "wikiBody": { "blocks": [ { "key": "9tavc", "text": "The Gray Area Festival returned in 2018 with a focus on Blockchain, Distributed Systems and Art as the main theme. 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"value": "Canada" } ], "date": [ { "value": "2013" } ] }, "title": "Eastern Bloc", "creatorUserId": 1, "type": "exhibition", "url": "eastern-bloc", "metadataString": "{\"location\":[{\"value\":\"Montreal\"},{\"value\":\"Canada\"}],\"date\":[{\"value\":\"2013\"}]}" }, { "_id": "5bb82c8e72f3be0005e6367d", "metadata": { "location": [ { "value": "Paris" }, { "value": "France" } ], "date": [ { "value": "2012" } ] }, "title": "La Gaîté Lyrique", "creatorUserId": 1, "type": "exhibition", "url": "la-ga-t-lyrique", "metadataString": "{\"location\":[{\"value\":\"Paris\"},{\"value\":\"France\"}],\"date\":[{\"value\":\"2012\"}]}" }, { "_id": "5bb8fe1f72f3be0005e6369e", "metadata": { "location": [ { "value": "Hong Kong" } ], "date": [ { "value": "2018-03-29" } ], "gallery": [ { "value": "Oui.Gallery", "groupId": "5bb3bf7a45045500058f847e" } ] }, "title": "Emerging", "creatorUserId": 1, "type": "exhibition", "wikiBody": { "blocks": [ { "key": "41tge", "text": "“EMERGING” BY OUI.GALLERY HONG KONG LAUNCHES WITH MATT HOPE, AARON OWENS, HAYDEN MOLINAROLO ART\n", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 95, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 95, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 95, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 95, "style": "bgcolor-transparent" }, { "offset": 0, "length": 95, "style": "fontsize-8pt" }, { "offset": 0, "length": 95, "style": "fontfamily-Calibri" } ], "entityRanges": [], "data": {} }, { "key": "a5vmr", "text": "Hong Kong — Monday, March 26, 2018 — Oui.Gallery announced the first art show of Oui.Gallery Hong Kong, displaying 9 artworks from 3 artists. British artist Matt Hope’s recent ink drawings exploring noise, computation and human production along with two emerging American artist’s, Aaron Owens and Hayden Molinarolo’s digital photography work will be shown for the first time outside of the USA.\n", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 395, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 395, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 395, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 395, "style": "bgcolor-transparent" }, { "offset": 0, "length": 395, "style": "fontsize-8pt" }, { "offset": 0, "length": 395, "style": "fontfamily-Calibri" } ], "entityRanges": [], "data": {} }, { "key": "aea6f", "text": "Matt Hope’s recent ink drawing series represents a new era in the artists career. Known for big art sculptures scaled-up from Richard Serra, more grounded than Damien Hirst, and more real than Ai Weiwei, Matt Hope not only dreams big, he can make his own artwork. After living 10 years in Beijing, he now commands the complete pallet of options of the aforementioned with something fresh: vision + plan. His drawings are plans for creation of larger works and investment in these drawings are a path to create entire series of productions worldwide.\n", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 549, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 549, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 549, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 549, "style": "bgcolor-transparent" }, { "offset": 0, "length": 549, "style": "fontsize-8pt" }, { "offset": 0, "length": 549, "style": "fontfamily-Calibri" } ], "entityRanges": [], "data": {} }, { "key": "52avc", "text": "“I am an artist. That is my day job,” said artist Matt Hope from his studio. “I work everyday at the Beijing studio I control. I am a sculptor by UCSD MFA studies with Jennifer Pastor, John Welchman, Haim Steinbach, and Barbara Kruger. I worked before this all as a welder in stadiums in London. And, out of necessity, I’m self taught, CAD-certified designer. All my ideas start as ink drawings before I take them into the computer to design real working projects. Depending upon the goal, I then make or buy necessary components to realize my vision. In china, the real 3d printers are people. I’ve been there 10 years, I know the words to make dreams reality. And, my sketches and drawings are battle plans for entire pieces from paper scaled up to 3d reality.”\n", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 763, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 763, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 763, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 763, "style": "bgcolor-transparent" }, { "offset": 0, "length": 763, "style": "fontsize-8pt" }, { "offset": 0, "length": 763, "style": "fontfamily-Calibri" } ], "entityRanges": [], "data": {} }, { "key": "1l763", "text": "Also “Emerging”,  are artist’s Aaron Owens and Hayden Molinarolo artwork from Saint Louis, USA. Artist Aaron Owens is a trained cartographer. His recent drone aerial photography at Oui.Gallery Saint Louis is extended with further use of the technique to highlight nature from above. Evocative of a master plan beyond people, the works investigate natural emergence.  Artist Hayden Molinarolo series is called “X X STRETCH THE FUCK OUT.” Coming from the UGLY Russell crew in St Louis, Hayden is a multi-talented artist, producer, designer, and musician in his own right. For this show, Hayden’s work is extended natural processing with warping and twisting people into various shapes all printed with ink pigment as digital photography.\n", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 735, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 735, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 735, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 735, "style": "bgcolor-transparent" }, { "offset": 0, "length": 735, "style": "fontsize-8pt" }, { "offset": 0, "length": 735, "style": "fontfamily-Calibri" } ], "entityRanges": [], "data": {} }, { "key": "4f8sm", "text": "“Oui.Gallery is an emerging artist portal between Hong Kong and Saint Louis. We are bringing young creatives to Hong Kong from abroad and artists from Hong Kong to Saint Louis. The idea is a simple exchange of culture and ideas through projects and action,” said Redelle Lee, Co-Founder of Oui.Gallery. “This is Oui.Gallery’s second in an ongoing series of art shows in Hong Kong and Saint Louis.”\n", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 397, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 397, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 397, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 397, "style": "bgcolor-transparent" }, { "offset": 0, "length": 397, "style": "fontsize-8pt" }, { "offset": 0, "length": 397, "style": "fontfamily-Calibri" } ], "entityRanges": [], "data": {} }, { "key": "ekmu", "text": "Show information: “Emerging”, Thur, Mar 29, 2018, 6 - 10 PM,  Oui.Gallery @ Selvage Basement, 36 Pottinger Street, Central.\n", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 123, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 123, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 123, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 123, "style": "bgcolor-transparent" }, { "offset": 0, "length": 123, "style": "fontsize-8pt" }, { "offset": 0, "length": 123, "style": "fontfamily-Calibri" } ], "entityRanges": [], "data": {} }, { "key": "4tk8a", "text": "About Matt Hope", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 15, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 15, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 15, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 15, "style": "bgcolor-transparent" }, { "offset": 0, "length": 15, "style": "fontsize-8pt" }, { "offset": 0, "length": 15, "style": "fontfamily-Calibri" } ], "entityRanges": [], "data": {} }, { "key": "ekshd", "text": "Matt Hope (born 1976, Hammersmith, London) is a British artist who lives and works in Caochangdi, an arts district in Beijing, China. He is known for elaborate kinetic art and sound art constructions made in large-scale fabrication factories in Mainland China. https://en.wikipedia.org/wiki/Matt_Hope\n", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 260, "style": "color-rgb(0,0,0)" }, { "offset": 261, "length": 39, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 260, "style": "fontfamily--webkit-standard" }, { "offset": 261, "length": 39, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 260, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 260, "style": "bgcolor-transparent" }, { "offset": 261, "length": 39, "style": "bgcolor-transparent" }, { "offset": 0, "length": 260, "style": "fontsize-8pt" }, { "offset": 261, "length": 39, "style": "fontsize-8pt" }, { "offset": 0, "length": 260, "style": "fontfamily-Calibri" }, { "offset": 261, "length": 39, "style": "fontfamily-Calibri" }, { "offset": 261, "length": 39, "style": "color-rgb(228,175,10)" } ], "entityRanges": [ { "offset": 260, "length": 40, "key": 0 } ], "data": {} }, { "key": "dco8h", "text": "About Aaron Owens", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 17, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 17, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 17, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 17, "style": "bgcolor-transparent" }, { "offset": 0, "length": 17, "style": "fontsize-8pt" }, { "offset": 0, "length": 17, "style": "fontfamily-Calibri" } ], "entityRanges": [], "data": {} }, { "key": "5qvj0", "text": "Aaron Owens (born 1986, Saint Louis) is a cartographer making art from marginal landscapes that intersect human and natural forms. His work explores surveillance, themes of human versus nature and holistic approaches to modern ecology. Owens’s most recent series, Order (2018), utilizes new advances in drone technology to photograph birds-eye images of the Saint Louis region. He lives and works in Saint Louis. Follow him https://www.instagram.com/owensaaron\n", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 460, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 460, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 424, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 460, "style": "bgcolor-transparent" }, { "offset": 0, "length": 460, "style": "fontsize-8pt" }, { "offset": 0, "length": 460, "style": "fontfamily-Calibri" }, { "offset": 424, "length": 36, "style": "color-rgb(228,175,10)" } ], "entityRanges": [ { "offset": 424, "length": 36, "key": 1 } ], "data": {} }, { "key": "aauj", "text": "About Hayden Molinarolo", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 23, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 23, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 23, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 23, "style": "bgcolor-transparent" }, { "offset": 0, "length": 23, "style": "fontsize-8pt" }, { "offset": 0, "length": 23, "style": "fontfamily-Calibri" } ], "entityRanges": [], "data": {} }, { "key": "3tkju", "text": "Hayden Molinarolo (born 1991, Harrisburg)  is a photographer and digital artist based in St Louis, MO. Taking cues from commercial photography, his work plunges into the uncanny valley through digitally manipulated images that challenge mainstream notions of beauty and normalcy. Follow him https://www.instagram.com/deth_bb\n", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 290, "style": "color-rgb(0,0,0)" }, { "offset": 291, "length": 33, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 290, "style": "fontfamily--webkit-standard" }, { "offset": 291, "length": 33, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 290, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 290, "style": "bgcolor-transparent" }, { "offset": 291, "length": 33, "style": "bgcolor-transparent" }, { "offset": 0, "length": 290, "style": "fontsize-8pt" }, { "offset": 291, "length": 33, "style": "fontsize-8pt" }, { "offset": 0, "length": 290, "style": "fontfamily-Calibri" }, { "offset": 291, "length": 33, "style": "fontfamily-Calibri" }, { "offset": 291, "length": 33, "style": "color-rgb(228,175,10)" } ], "entityRanges": [ { "offset": 290, "length": 34, "key": 2 } ], "data": {} }, { "key": "2uk15", "text": "About Oui.Gallery", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 17, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 17, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 17, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 17, "style": "bgcolor-transparent" }, { "offset": 0, "length": 17, "style": "fontsize-8pt" }, { "offset": 0, "length": 17, "style": "fontfamily-Calibri" } ], "entityRanges": [], "data": {} }, { "key": "943te", "text": "Oui.Gallery is an international contemporary art gallery featuring emerging artists and making innovative shows in Hong Kong and the USA. http://oui.gallery\n\n", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 156, "style": "color-rgb(0,0,0)" }, { "offset": 0, "length": 156, "style": "fontfamily--webkit-standard" }, { "offset": 0, "length": 156, "style": "color-rgb(69,69,69)" }, { "offset": 0, "length": 156, "style": "bgcolor-transparent" }, { "offset": 0, "length": 156, "style": "fontsize-8pt" }, { "offset": 0, "length": 156, "style": "fontfamily-Calibri" } ], "entityRanges": [], "data": {} } ], "entityMap": { "0": { "type": "LINK", "mutability": "MUTABLE", "data": { "url": "https://en.wikipedia.org/wiki/Matt_Hope", "title": " https://en.wikipedia.org/wiki/Matt_Hope", "targetOption": "", "_map": { "type": "LINK", "mutability": "MUTABLE", "data": { "url": "https://en.wikipedia.org/wiki/Matt_Hope", "title": " https://en.wikipedia.org/wiki/Matt_Hope", "targetOption": "" } } } }, "1": { "type": "LINK", "mutability": "MUTABLE", "data": { "url": "https://www.instagram.com/owensaaron", "title": "https://www.instagram.com/owensaaron", "targetOption": "", "_map": { "type": "LINK", "mutability": "MUTABLE", "data": { "url": "https://www.instagram.com/owensaaron", "title": "https://www.instagram.com/owensaaron", "targetOption": "" } } } }, "2": { "type": "LINK", "mutability": "MUTABLE", "data": { "url": "https://www.instagram.com/deth_bb", "title": " https://www.instagram.com/deth_bb", "targetOption": "", "_map": { "type": "LINK", "mutability": "MUTABLE", "data": { "url": "https://www.instagram.com/deth_bb", "title": " https://www.instagram.com/deth_bb", "targetOption": "" } } } } } }, "wikiVersion": 1, "url": "emerging", "metadataString": "{\"location\":[{\"value\":\"Hong Kong\"}],\"date\":[{\"value\":\"2018-03-29\"}],\"gallery\":[{\"value\":\"Oui.Gallery\",\"groupId\":\"5bb3bf7a45045500058f847e\"}]}" }, { "_id": "5bb8ff6e72f3be0005e636a0", "metadata": { "date": [ { "value": "2018" } ], "location": [ { "value": "COVO" }, { "value": "St. Louis" }, { "value": "Missouri" }, { "value": "USA" } ] }, "title": "Order", "creatorUserId": 1, "type": "exhibition", "wikiBody": { "blocks": [ { "key": "3ckh2", "text": "ARTIST’S AERIAL DRONE PHOTOS IMPACT ENVIRONMENT", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "evh9h", "text": "Aaron Owens Artwork to Open at Oui.Gallery @ COVO Saint Louis", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "5d8oa", "text": "Saint Louis — Tuesday, February 19, 2018 — Oui.Gallery along with COVO Saint Louis announced artist Aaron", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "72dvj", "text": "Owens's first art show, Order (2018), displaying four selected large scale aerial drone photographs depicting the", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "24mc1", "text": "interaction of people and nature in the Saint Louis region. Additionally, a longer form video piece by Owens will be", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "f75si", "text": "unveiled with a reception at COVO Saint Louis from 6 to 8 PM on Friday, March 2, 2018.", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "e74rb", "text": "“I’m a geographer by schooling, a cartographer by trade,” said Aaron Owens. “Map makers now use drones to", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "8vn82", "text": "document the exact topology of a landscape through imagery. In my series, Order, I used a drone and open source", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "7p496", "text": "software to more closely examine the overlap of people and the environment in areas around Saint Louis paying", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "b9mr3", "text": "particular attention to those landscapes of consistent change such as the edge of the Mississippi River.”", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "90ouu", "text": "The opening of Aaron Owens's Order (2018) at Oui.Gallery @ COVO Saint Louis is free and open to the public", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "3hv5n", "text": "during the opening reception on Friday, March 2 from 6 - 8 PM.", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "6jpcp", "text": "“This is a show of firsts,” said Redelle Lee, Co-Founder of Oui.Gallery. “This is artist Aaron Owens's first art show. It", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "3jrdk", "text": "is also Oui.Gallery’s first project and the first art show at the newly launched COVO co-working space in Saint", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "cb0ci", "text": "Louis. It is also Oui.Gallery and COVO’s first collaboration. We are excited to set a monthly pace to introduce", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "6bgoh", "text": "emerging artists to Saint Louis and the world.”", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "t46t", "text": "Show information", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "ckvio", "text": "Friday, March 2, 6 - 8 PM with Artist, Oui.Gallery @ COVO, 401 Pine St, Saint Louis", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "fe1av", "text": "About Aaron Owens", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "1l702", "text": "Aaron Owens (b. 1986) is a cartographer making art from marginal landscapes that intersect human and natural", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "b5124", "text": "forms. His work explores themes of surveillance, human versus nature and holistic approaches to modern ecology.", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "9ismn", "text": "His most recent series, Order (2018), utilizes new advances in drone technology to photograph birds-eye images of", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "fvlum", "text": "the Saint Louis region. He received a BS in Geography from California State University Sacramento. His work is", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "cus61", "text": "featured in VIEW magazine, the Tube Magazine, and The Moon Zine. He lives and works in Saint Louis.", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "1efjm", "text": "Follow him on Instagram @owensaaron.", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "favaa", "text": "About Oui.Gallery", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "1pa45", "text": "Oui.Gallery is an international contemporary art gallery featuring emerging artists and making innovative shows in", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "88opc", "text": "Saint Louis and Hong Kong. http://oui.gallery.com", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} } ], "entityMap": {} }, "wikiVersion": 0, "url": "order", "metadataString": "{\"date\":[{\"value\":\"2018\"}],\"location\":[{\"value\":\"COVO\"},{\"value\":\"St. Louis\"},{\"value\":\"Missouri\"},{\"value\":\"USA\"}]}" }, { "_id": "5bb91c0572f3be0005e636b5", "metadata": { "location": [ { "value": "Online" } ], "date": [ { "value": "2018-10" } ] }, "title": "#PALMYRAVERSE October Campaign", "creatorUserId": 1, "type": "exhibition", "wikiBody": "## Help Build the #PALMYRAVERSE!\n[#NEWPALMYRA](http://newpalmyra.org) is an online platform to virtually reconstruct the historic architecture from the city of Palmyra, Syria, and create works based on our new city.\nEach month we put out a call for artists and technologists to contribute their work, and a rotating panel of judges from fields of art, cultural heritage, and technology will select the top three works, which will be included in the #PALMYRAVERSE collection.\\s\\s\nTo contribute your work to the monthly call:\n1. [Join our Telegram group](http://t.me/artifaq) and ask for the invite code\n1. [Create an Artifaq account](https://artifaq.io/signup) with the invite code\n1. [Upload your submission](https://artifaq.io/create) to Artifaq.\\s\\s\nArtists can receive payments for their submissions through LikeCoin Ethereum.\n### November: The Temple of Al-lat\nIn November, We’re inviting artists and makers to create works inspired by the Temple of al-Lat! Thanks to the permission of Daria Tarara and Polish Centre of Mediterranean Archaeology, the[Temple of Al-lat](https://artifaq.io/artworks/id/5bb3bb1345045500058f8479) is provided as a prompt, and raw material, for your creativity.\n### What is the #PALMYRAVERSE?\nThe #PALMYRAVERSE is a 12-month online building campaign to organize[#NEWPALMYRA](https://newpalmyra.org), a project to reconstruct the ancient city of Palmyra as an immersive virtual environment, based on archaeological and other clues.\n### What kinds of works are accepted?\nAnything you can think of! 3d models, renderings, poetry, music, painting: however you are inspired to build a future Palmyra from the past will help grow the project.\nHere is a short list of ideas:\n- Renderings of the model, with emphasis on non-standard and creative renderings\n- Improvements on the[Temple of Al-lat 3D model](https://artifaq.io/artworks/id/5bb3bb1345045500058f8479), particularly adding people to scenes\n- Add the model to the[#newpalmyAR project](https://github.com/newpalmyra/newpalmyra-AR)\n- Create a video, or film using the 3D model\n- Create a sound or sound atmosphere for the 3D environment\n- Make a physical 3D model of the virtual 3D object\n- Make a physical painting about the 3D object\n- Place the 3D model into other 3D environments like Minecraft\n### Who are the #PALMYRAVERSE Judges?\nThe judges for the month of October are\n- Razan Al-Hadid, Public Lead at Creative Commons Jordan and Independent Art History Researcher\n- Mahmoud Max Wardeh, London-based technologist, and educator\n- Majd Al-shihabi, Palestinian-Syrian urban planning graduate, developer of Palestine Open Maps, and recipient of the first Bassel Khartabil Free Culture Fellowship\n### How Will Works be Judged?\nEach judge will be allotted a standard amount of LikeCoin to use to Like works. (Additionally, anyone with LikeCoin may Like works.)\n### Is there a limit on the number of submissions?\nNo, you can submit as many works as you'd like! But, we recommend considering quality, rather than the quantity, of submissions. However, if your submission includes multiple works that connect thematically, then please submit multiple pieces for the single prompt.\n### What is LikeCoin?\nLikeCoin is a technology created by t[LikeCoin Foundation](https://like.co/) to support payments to artists through a \"Like\" button. LikeCoin is an Ethereum token.\n### What is Artifaq?\nArtifaq is a source for ephemeral, hidden, digital, and emerging artworks. Artifaq is also the engine that powers the #PALMYRAVERSE. The community is encouraged to submit and add to existing works to make all work more accessible and transparent. Signup for an account to add your artworks.\n### Get Started!\n[Join Artifaq in Telegram](https://t.me/artifaq)\n", "wikiVersion": 42, "assets": [], "images": [ "templeofallatclosejpg1538512939890jpg-1541398444433.jpg" ], "url": "palmyraverse-october-campaign", "metadataString": "{\"location\":[{\"value\":\"Online\"}],\"date\":[{\"value\":\"2018-10\"}]}" }, { "_id": "5bb944dfdfc01800057e073b", "metadata": { "location": [ { "value": "Artifaq" } ], "date": [ { "value": "2018" } ] }, "title": "Spirit of BEIGE", "creatorUserId": 22, "type": "exhibition", "wikiBody": { "blocks": [ { "key": "9mooi", "text": "", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "1ob15", "text": " ", "type": "atomic", "depth": 0, "inlineStyleRanges": [], "entityRanges": [ { "offset": 0, "length": 1, "key": 0 } ], "data": {} }, { "key": "bi2fd", "text": "BEIGE was a computer programming artist collective formed in 2000 as an extension of Paul B. Davis and Joe Beuckman’s Beige Records. Members included Cory Arcangel, Joe Beuckman, Joseph Bonn and Paul B. Davis. Their practice primarly focused on the hacking of obsolete 8-bit computers and video game systems. The New York TIMES named BEIGE in their \"best moments in art\" poll in 2002. Their last release on Beige Records, \"The 8-bit Construction Set\", is notable for using vinyl as a medium for software distribution of encoded samples and data that were programmed in 6502 assembly language.", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 66, "length": 84, "style": "color-rgb(34,34,34)" }, { "offset": 66, "length": 84, "style": "bgcolor-rgb(255,255,255)" }, { "offset": 66, "length": 84, "style": "fontsize-15" }, { "offset": 66, "length": 84, "style": "fontfamily-Raleway, HelveticaNeue, \"Helvetica Neue\", Helvetica, Arial, sans-serif" } ], "entityRanges": [], "data": {} }, { "key": "6b3pg", "text": "BEIGE received New York State Council for the Arts grant sponsored by Harvestworks to complete a limited edition Nintendo cartridge and have had solo shows at DEADTECH in Chicago, Lothringer13 in Munich and Space 1026 in Philadelphia. Performances at the Museum of Contemporary Art in Chicago, \"The Summer of HTML\" Tour across the USA with PaperRad, the Whitney Museum (NYC), and the 2004 Liverpool Biennale. BEIGE members have shown work internationally at venues including the Guggenheim (NYC), Whitney Biennial 2004 (UK), Foxy Productions (NYC), Vilma Gold (UK), and Tate Britain, among others.", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "2oc11", "text": "Please add to or improve on this list of notable works:", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "1h2s2", "text": "The 8-Bit Construction Set", "type": "unordered-list-item", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "qcvs", "text": "Super Mario Clouds", "type": "unordered-list-item", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "fvssb", "text": "Super Mario Bros. Movie ", "type": "unordered-list-item", "depth": 0, "inlineStyleRanges": [], "entityRanges": [ { "offset": 0, "length": 23, "key": 1 } ], "data": {} }, { "key": "3t2l6", "text": "Super Abstract Brothers", "type": "unordered-list-item", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "faev4", "text": "Add more here", "type": "unordered-list-item", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "9fuj8", "text": "", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} } ], "entityMap": { "0": { "type": "IMAGE", "mutability": "MUTABLE", "data": { "src": "https://tankmagazine.com/media/504759/vol3iss1240.jpg?width=920&format=webp", "height": "auto", "width": "auto" } }, "1": { "type": "LINK", "mutability": "MUTABLE", "data": { "url": "https://artifaq.io/artworks/id/5bb8c13172f3be0005e63689", "targetOption": "_self" } } } }, "wikiVersion": 6, "url": "spirit-of-beige", "metadataString": "{\"location\":[{\"value\":\"Artifaq\"}],\"date\":[{\"value\":\"2018\"}]}" }, { "_id": "5bbd9324ea9b70000503ad66", "metadata": { "location": [ { "value": "UAE" } ], "date": [ { "value": "12 MAY, 2018" }, { "value": "30 MAY, 2023" } ], "gallery": [ { "value": "Barjeel Art Foundation", "groupId": "5bbd92f4ea9b70000503ad65" } ] }, "creatorUserId": 1, "type": "exhibition", "title": "A Century in Flux", "wikiBody": null, "url": "a-century-in-flux", "metadataString": "{\"location\":[{\"value\":\"UAE\"}],\"date\":[{\"value\":\"12 MAY, 2018\"},{\"value\":\"30 MAY, 2023\"}],\"gallery\":[{\"value\":\"Barjeel Art Foundation\",\"groupId\":\"5bbd92f4ea9b70000503ad65\"}]}", "assets": [], "images": [], "wikiVersion": 0 }, { "_id": "5bc24bc52f51fa0005559ae8", "metadata": { "location": [ { "value": "Ace Gallery Beverly Hills" } ], "date": [ { "value": "Jul 11 - Oct. 31, 2015" } ], "link": [ { "value": "https://youtu.be/lkP1eZtnwIM" } ] }, "title": "Sun Dragon Hardware", "creatorUserId": 0, "type": "exhibition", "url": "sun-dragon-hardware", "metadataString": "{\"location\":[{\"value\":\"Ace Gallery Beverly Hills\"}],\"date\":[{\"value\":\"Jul 11 - Oct. 31, 2015\"}],\"link\":[{\"value\":\"https://youtu.be/lkP1eZtnwIM\"}]}", "images": [ "ScreenShot20190612at30646PMpng-1560323232445.png" ], "assets": [], "wikiBody": "### Sources\n\n- Matt hope sun dragon hardware Video\n - https://youtu.be/lkP1eZtnwIM", "wikiVersion": 0 }, { "_id": "5bcd13c9b86ee900050bdfa9", "metadata": { "location": [ { "value": "La Biennale di Venezia, International Architecture Exhibition, Venice, IT" } ], "date": [ { "value": "2016" } ], "link": [ { "value": "https://www.vam.ac.uk/articles/la-biennale-di-venezia-2016" } ], "timestamp": 1540166601431 }, "title": "A World of Fragile Parts", "type": "exhibition", "owner": null, "ownerUserId": null, "assets": [], "images": [ "victoriaalbertvenice1jpg-1540247990948.jpg" ], "wikiBody": { "blocks": [ { "key": "f2kqs", "text": "A World of Fragile Parts was the 2016 special project for the Applied Arts Pavilion at La Biennale di Venezia. The exhibition explored the threats facing the preservation of global heritage sites and how the production of copies can aid in the preservation of cultural artefacts.", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 24, "style": "color-rgb(29,30,32)" }, { "offset": 25, "length": 254, "style": "color-rgb(29,30,32)" }, { "offset": 0, "length": 24, "style": "bgcolor-rgb(255,255,255)" }, { "offset": 25, "length": 254, "style": "bgcolor-rgb(255,255,255)" }, { "offset": 0, "length": 24, "style": "fontsize-18" }, { "offset": 25, "length": 254, "style": "fontsize-18" }, { "offset": 0, "length": 24, "style": "fontfamily-The Sans\", Arial, Helvetica, sans-serif" }, { "offset": 25, "length": 254, "style": "fontfamily-The Sans\", Arial, Helvetica, sans-serif" } ], "entityRanges": [], "data": {} } ], "entityMap": {} }, "wikiVersion": 4, "url": "a-world-of-fragile-parts", "metadataString": "{\"location\":[{\"value\":\"La Biennale di Venezia, International Architecture Exhibition, Venice, IT\"}],\"date\":[{\"value\":\"2016\"}],\"link\":[{\"value\":\"https://www.vam.ac.uk/articles/la-biennale-di-venezia-2016\"}],\"timestamp\":1540166601431}" }, { "_id": "5bd17ded77366d0005cc31af", "metadata": { "location": [ { "value": "UK" }, { "value": "London" } ], "date": [ { "value": "2017" } ], "gallery": [ { "value": "Furtherfield Gallery", "groupId": "5bd17fa277366d0005cc31b2" } ], "timestamp": 1540455917550 }, "title": "New World Order", "type": "exhibition", "owner": null, "ownerUserId": null, "assets": [], "images": [], "wikiBody": null, "url": "new-world-order", "metadataString": "{\"location\":[{\"value\":\"UK\"},{\"value\":\"London\"}],\"date\":[{\"value\":\"2017\"}],\"gallery\":[{\"value\":\"Furtherfield Gallery\",\"groupId\":\"5bd17fa277366d0005cc31b2\"}],\"timestamp\":1540455917550}" }, { "_id": "5bd1815177366d0005cc31b8", "metadata": { "location": [ { "value": "Miami Beach" }, { "value": "Florida" }, { "value": "USA" } ], "date": [ { "value": "2016" } ], "timestamp": 1540456785677 }, "title": "Art Basel Miami 2016", "type": "exhibition", "owner": null, "ownerUserId": null, "url": "art-basel-miami-2016", "metadataString": "{\"location\":[{\"value\":\"Miami Beach\"},{\"value\":\"Florida\"},{\"value\":\"USA\"}],\"date\":[{\"value\":\"2016\"}],\"timestamp\":1540456785677}" }, { "_id": "5bd2a1cd77366d0005cc31c0", "metadata": { "location": [ { "value": "San Francisco, CA, USA" } ], "date": [ { "value": "Feburary 26th, 2016" } ], "link": [ { "value": "https://grayarea.org/event/deepdream-the-art-of-neural-networks/" }, { "value": "https://ai.googleblog.com/2016/02/exploring-intersection-of-art-and.html" }, { "value": "https://thenextweb.com/insider/2016/02/26/you-can-visit-an-art-exhibit-created-with-neural-networks-in-san-francisco-this-weekend/" }, { "value": "https://medium.com/truly-yours/the-future-of-art-deep-dreams-ai-and-ascribe-3e6b7af1087" }, { "value": "https://www.theverge.com/google/2016/3/1/11140374/google-neural-networks-deepdream-art-exhibition-san-francisco" }, { "value": "https://www.wired.com/2016/02/googles-artificial-intelligence-gets-first-art-show/" }, { "value": "https://www.recode.net/2016/2/27/11588302/googles-tripply-ai-neural-nets-put-on-an-art-show" }, { "value": "https://news.artnet.com/market/google-inceptionism-art-sells-big-439352" }, { "value": "https://www.businessinsider.com/google-to-auction-trippy-artwork-made-by-ai-2016-2" }, { "value": "http://fortune.com/2016/03/01/google-deepdream-art/" }, { "value": "https://news.artnet.com/opinion/gray-market-obvious-portrait-1381798" } ], "timestamp": 1540530637372, "gallery": [ { "value": "Gray Area Foundation for the Arts", "groupId": "5bd36622cea0f60005d79f96" } ] }, "title": "DeepDream: The art of neural networks", "type": "exhibition", "owner": null, "ownerUserId": null, "assets": [], "images": [ "1MinjewYyERiAlPiObPlLwjpeg-1540580845121.jpeg" ], "wikiBody": { "blocks": [ { "key": "ltba", "text": "The art works in this exhibition are made using artificial neural networks (NN). NNs are a biologically inspired form of computing which, unlike classical computer algorithms, aren’t programmed directly by human operators but instead learn from large amount of example data. The networks used in this work are trained with natural images from the environment and learn to distinguish objects and parse them into high level features. Their usual application is that of image classification or object recognition.", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} }, { "key": "833bl", "text": "Once trained, these networks can then also be used to generate new imagery, essentially “imagining” images based on the learned rules and associations.", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} } ], "entityMap": {} }, "wikiVersion": 5, "url": "deepdream-the-art-of-neural-networks", "metadataString": "{\"location\":[{\"value\":\"San Francisco, CA, USA\"}],\"date\":[{\"value\":\"Feburary 26th, 2016\"}],\"link\":[{\"value\":\"https://grayarea.org/event/deepdream-the-art-of-neural-networks/\"},{\"value\":\"https://ai.googleblog.com/2016/02/exploring-intersection-of-art-and.html\"},{\"value\":\"https://thenextweb.com/insider/2016/02/26/you-can-visit-an-art-exhibit-created-with-neural-networks-in-san-francisco-this-weekend/\"},{\"value\":\"https://medium.com/truly-yours/the-future-of-art-deep-dreams-ai-and-ascribe-3e6b7af1087\"},{\"value\":\"https://www.theverge.com/google/2016/3/1/11140374/google-neural-networks-deepdream-art-exhibition-san-francisco\"},{\"value\":\"https://www.wired.com/2016/02/googles-artificial-intelligence-gets-first-art-show/\"},{\"value\":\"https://www.recode.net/2016/2/27/11588302/googles-tripply-ai-neural-nets-put-on-an-art-show\"},{\"value\":\"https://news.artnet.com/market/google-inceptionism-art-sells-big-439352\"},{\"value\":\"https://www.businessinsider.com/google-to-auction-trippy-artwork-made-by-ai-2016-2\"},{\"value\":\"http://fortune.com/2016/03/01/google-deepdream-art/\"},{\"value\":\"https://news.artnet.com/opinion/gray-market-obvious-portrait-1381798\"}],\"timestamp\":1540530637372,\"gallery\":[{\"value\":\"Gray Area Foundation for the Arts\",\"groupId\":\"5bd36622cea0f60005d79f96\"}]}" }, { "_id": "5bdc0d1581d6eb0005516ffd", "metadata": { "location": [ { "value": "St. Louis" }, { "value": "Missouri" }, { "value": "USA" } ], "date": [ { "value": "2018-11-09" } ], "curator": [ { "value": "Tyler Mathews" } ], "link": [ { "value": "http://fabricatorz.org/u/kinesis" } ], "sponsor": [ { "value": "Fabricatorz Foundation" } ], "timestamp": 1541147925390 }, "title": "Kinesis 2018", "type": "exhibition", "url": "kinesis-2018", "owner": null, "ownerUserId": null, "assets": [], "images": [], "wikiBody": { "blocks": [ { "key": "dleer", "text": "For the opening of Innovation Hall in the Cortex district of St. Louis, and as an exntension of their annual fundraiser, Venture Café St. Louis hosts Kinesis 2018, featuring an art exhibition and musical performances on Friday, November 9, 2018. Works will be on display from Matt Hope, Disnovation, #NEWPALMYRA, Evan T. & Stacey Smith, Ian Patrick Cunningham. Performances include, Alexis Langevin-Tétrault, Pamela Z, and Head Dress.", "type": "unstyled", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} } ], "entityMap": {} }, "wikiVersion": 1, "metadataString": "{\"location\":[{\"value\":\"St. Louis\"},{\"value\":\"Missouri\"},{\"value\":\"USA\"}],\"date\":[{\"value\":\"2018-11-09\"}],\"curator\":[{\"value\":\"Tyler Mathews\"}],\"link\":[{\"value\":\"http://fabricatorz.org/u/kinesis\"}],\"sponsor\":[{\"value\":\"Fabricatorz Foundation\"}],\"timestamp\":1541147925390}" }, { "_id": "5bdc11ab81d6eb0005517002", "metadata": { "location": [ { "value": "Toronto" }, { "value": "Canada" } ], "date": [ { "value": "2017-04-28" }, { "value": "2017-04-29" }, { "value": "2017-04-30" } ], "timestamp": 1541149099896 }, "title": "Creative Commons Summit 2017", "type": "exhibition", "url": "creative-commons-summit-2017", "owner": null, "ownerUserId": null, "metadataString": "{\"location\":[{\"value\":\"Toronto\"},{\"value\":\"Canada\"}],\"date\":[{\"value\":\"2017-04-28\"},{\"value\":\"2017-04-29\"},{\"value\":\"2017-04-30\"}],\"timestamp\":1541149099896}" }, { "_id": "5bdc124181d6eb0005517003", "metadata": { "location": [ { "value": "Toronto" }, { "value": "Canada" } ], "date": [ { "value": "2016" } ], "timestamp": 1541149249498 }, "title": "Creative Commons Summit 2016", "type": "exhibition", "url": "creative-commons-summit-2016", "owner": null, "ownerUserId": null, "metadataString": "{\"location\":[{\"value\":\"Toronto\"},{\"value\":\"Canada\"}],\"date\":[{\"value\":\"2016\"}],\"timestamp\":1541149249498}" }, { "_id": "5bdc131281d6eb0005517004", "metadata": { "location": [ { "value": "Columbus" }, { "value": "Ohio" }, { "value": "USA" } ], "date": [ { "value": "2018-09-26" }, { "value": "2018-09-27" }, { "value": "2018-09-28" }, { "value": "2018-09-29" } ], "link": [ { "value": "https://exhibitcolumbus.org/2018-symposium" } ], "curator": [ { "value": "Richard McCoy" } ], "timestamp": 1541149458098 }, "title": "Exhibit Columbus 2018", "type": "exhibition", "url": "exhibit-columbus-2018", "owner": null, "ownerUserId": null, "metadataString": "{\"location\":[{\"value\":\"Columbus\"},{\"value\":\"Ohio\"},{\"value\":\"USA\"}],\"date\":[{\"value\":\"2018-09-26\"},{\"value\":\"2018-09-27\"},{\"value\":\"2018-09-28\"},{\"value\":\"2018-09-29\"}],\"link\":[{\"value\":\"https://exhibitcolumbus.org/2018-symposium\"}],\"curator\":[{\"value\":\"Richard McCoy\"}],\"timestamp\":1541149458098}" }, { "_id": "5bdc9be981d6eb0005517056", "metadata": { "location": [ { "value": "Gray Area Foundation for the Arts" }, { "value": "San Francisco" }, { "value": "California" }, { "value": "USA" } ], "date": [ { "value": "2018-11" } ], "timestamp": 1541184489205 }, "title": "Recombinant Festival 2018", "type": "exhibition", "url": "recombinant-festival-2018", "owner": null, "ownerUserId": null, "metadataString": "{\"location\":[{\"value\":\"Gray Area Foundation for the Arts\"},{\"value\":\"San Francisco\"},{\"value\":\"California\"},{\"value\":\"USA\"}],\"date\":[{\"value\":\"2018-11\"}],\"timestamp\":1541184489205}" }, { "_id": "5bde9cddb3ab0f0005ba4459", "metadata": { "location": [ { "value": "7513 Forsyth Boulevard" }, { "value": "St. Louis" }, { "value": "Missouri" }, { "value": "USA" } ], "date": [ { "value": "2018" } ], "gallery": [ { "value": "Bruno David Gallery", "groupId": "5bde9c27b3ab0f0005ba4456" } ], "link": [ { "value": "https://www.artsy.net/show/bruno-david-gallery-and-bruno-david-projects-jon-howard-young-third-post" } ], "timestamp": 1541315805831, "Type of Exhibition": { "value": "Solo" } }, "metadataString": "{\"location\":[{\"value\":\"7513 Forsyth Boulevard\"},{\"value\":\"St. Louis\"},{\"value\":\"Missouri\"},{\"value\":\"USA\"}],\"date\":[{\"value\":\"2018\"}],\"gallery\":[{\"value\":\"Bruno David Gallery\",\"groupId\":\"5bde9c27b3ab0f0005ba4456\"}],\"link\":[{\"value\":\"https://www.artsy.net/show/bruno-david-gallery-and-bruno-david-projects-jon-howard-young-third-post\"}],\"timestamp\":1541315805831,\"Type of Exhibition\":{\"value\":\"Solo\"}}", "title": "Third Post", "type": "exhibition", "url": "third-post", "owner": null, "ownerUserId": null, "wikiVersion": 2, "assets": [], "images": [], "wikiBody": { "blocks": [ { "key": "8sf5o", "text": "Gossip", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 6, "style": "BOLD" } ], "entityRanges": [], "data": {} }, { "key": "41j00", "text": "Add rest of works from exhition: https://www.artsy.net/show/bruno-david-gallery-and-bruno-david-projects-jon-howard-young-third-post (@rejon)", "type": "unordered-list-item", "depth": 0, "inlineStyleRanges": [], "entityRanges": [], "data": {} } ], "entityMap": {} } }, { "_id": "5bdf6413f4986c00052d1d0f", "metadata": { "location": [ { "value": "Paris" } ], "date": [ { "value": "2015" } ], "gallery": [ { "value": "Xpo Gallery" }, { "value": "Transfer Gallery", "groupId": "5bfdf3d28253fc0005058a5c" } ], "timestamp": 1541366803546 }, "metadataString": "{\"location\":[{\"value\":\"Paris\"}],\"date\":[{\"value\":\"2015\"}],\"gallery\":[{\"value\":\"Xpo Gallery\"},{\"value\":\"Transfer Gallery\"}],\"timestamp\":1541366803546}", "title": "New Portraiture", "type": "exhibition", "url": "new-portraiture", "owner": null, "ownerUserId": null, "wikiVersion": 2, "assets": [], "images": [ "rollinleonardrainbowjpg-1541366879948.jpg" ], "wikiBody": { "blocks": [ { "key": "rt04", "text": "Rollin Leonard's artist statement for the exhibition:", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 53, "style": "color-rgb(49,49,50)" }, { "offset": 0, "length": 53, "style": "bgcolor-rgb(255,255,255)" }, { "offset": 0, "length": 53, "style": "fontsize-13" }, { "offset": 0, "length": 53, "style": "fontfamily-Arial, Helvetica, sans-serif" } ], "entityRanges": [], "data": { "text-align": "left" } }, { "key": "36gkh", "text": "New Portraiture (2015) is a collection of photographic, semi-sculptural objects that are rearrangeable or flexible. The subject for the pictures are people flattened by uniform lighting and a depth of field where everything is in focus. The method for extruding the surfaces back into round objects varies: light is refracted and distorted in water, polygon matrices of the photographic surfaces are crumpled into heads, and an enormous plastic figure is skewed by the viewer’s perspective. The aesthetics of these objects are taken from digital manipulations. Words like “liquification”, “bulging”,” and “skewing” are used to name image manipulations in Photoshop but are, of course, only analogies. I wanted to rediscover the physical analogs of effects like these. In movie making there is a distinction between effects done physically, called practical effects, and those done in post-production, called visual effects. My effects are practical effects attempting to emulate the computer generated magic …\"", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 15, "style": "color-rgb(49,49,50)" }, { "offset": 16, "length": 994, "style": "color-rgb(49,49,50)" }, { "offset": 0, "length": 15, "style": "bgcolor-rgb(255,255,255)" }, { "offset": 16, "length": 994, "style": "bgcolor-rgb(255,255,255)" }, { "offset": 0, "length": 15, "style": "fontsize-13" }, { "offset": 16, "length": 994, "style": "fontsize-13" }, { "offset": 0, "length": 15, "style": "fontfamily-Arial, Helvetica, sans-serif" }, { "offset": 16, "length": 994, "style": "fontfamily-Arial, Helvetica, sans-serif" }, { "offset": 0, "length": 15, "style": "ITALIC" } ], "entityRanges": [], "data": {} }, { "key": "9ctur", "text": "Source: ", "type": "unstyled", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 8, "style": "color-rgb(49,49,50)" }, { "offset": 0, "length": 8, "style": "bgcolor-rgb(255,255,255)" }, { "offset": 0, "length": 8, "style": "fontsize-13" }, { "offset": 0, "length": 8, "style": "fontfamily-Arial, Helvetica, sans-serif" } ], "entityRanges": [], "data": {} }, { "key": "ea54k", "text": "https://slash-paris.com/en/evenements/rollin-leonard-new-portraiture/sous", "type": "unordered-list-item", "depth": 0, "inlineStyleRanges": [ { "offset": 0, "length": 73, "style": "color-rgb(49,49,50)" }, { "offset": 0, "length": 73, "style": "bgcolor-rgb(255,255,255)" }, { "offset": 0, "length": 73, "style": "fontsize-13" }, { "offset": 0, "length": 73, "style": "fontfamily-Arial, Helvetica, sans-serif" } ], "entityRanges": [], "data": {} } ], "entityMap": {} } }, { "_id": "5bdfe38fb1943f00050ef6ae", "metadata": { "location": [ { "value": "Online / Global" } ], "date": [ { "value": "2018-11" } ] }, "metadataString": "{\"location\":[{\"value\":\"Online / Global\"}],\"date\":[{\"value\":\"2018-11\"}]}", "title": "#PALMYRAVERSE November Challenge", "type": "exhibition", "url": "palmyraverse-november-challenge", "owner": null, "ownerUserId": null, "wikiVersion": 6, "images": [ "elahbeltowernovemberchallengepng-1541399811071.png" ], "assets": [], "wikiBody": "[#NEWPALMYRA](http://newpalmyra.org) is an online platform to virtually reconstruct, and creatively reuse, the historic architecture from the city of Palmyra, Syria, and build a future Palmyra from the past.\n\nEach month we put out a call for artists and technologists to contribute their work, and a rotating panel of judges from fields of art, cultural heritage, and technology will select the top three works, which are included in the #PALMYRAVERSE collection.\n\nTo contribute your work to the monthly call:\n\n1. [Create an Artifaq account](https://artifaq.io/signup)\n2. [Upload your submission](https://artifaq.io/create) to Artifaq.\n3. Add \"#NEWPALMYRA\" as an Artifaq artist, and the \"#PALMYRAVERSE November Challenge\" as an Artifaq Exhibition on your submission. \n\n[[MORE]]\n\n### November: the Funerary Towers\n\nFor November, we’re inviting artists to create works inspired by the Palmyra Funerary Towers. The Funerary Towers were several multiple-story stone buildings in a necropolis outside the city walls of Palmyra, in an area known as the Valley of the Tombs. \n\nWe are starting the November Challenge by releasing the [Elahbel Tower]() , generously provided by [Marin Pette](http://marinpette.com/) under a CC-BY license.\n\nThe Elabel Tower was a four-story sandstone tomb, built around 103AD. It was important in the history of textiles: fragments of very early Chinese silk yarns, dated to the 1st century AD, were discovered in the tombs at the tower. The tower was demolished using explosives by the Islamic State of Iraq and the Levant in August 2015.\n\nSee more information on [Wikipedia](https://en.wikipedia.org/wiki/Tower_of_Elahbel) and reference photos on [Flickr](https://www.flickr.com/photos/newpalmyra/albums/72157682493820155)\n\n### What is the #PALMYRAVERSE?\n\nThe #PALMYRAVERSE is a 12-month online building campaign organized by [#NEWPALMYRA](https://newpalmyra.org), a project to reconstruct the endangered cultural heritage of the ancient city of Palmyra as an immersive virtual environment, based on archaeological and other clues. #NEWPALMYRA was started by Syrian-Palestinian Developer Bassel Khartabil.\n\n### What kinds of works are accepted?\n\nAnything you can think of! 3d models, renderings, poetry, music, painting; however you are inspired to build a future Palmyra from the past.\n\nHere is a short list of ideas:\n\n- Renderings of the model, with emphasis on non-standard and creative renderings\n- Improvements to the [Elahbel Tower](/artwork/elahbel-tower) model\n- Create models of the other Palmyra Funerary Towers, such as the Iamblichus Tower. Here are some photos for [reference](https://www.flickr.com/photos/newpalmyra/albums/72157682493820155)\n- Add the model to the [#newpalmyAR project](https://github.com/newpalmyra/newpalmyra-AR)\n- Create a video, or film using the 3D model\n- Create a sound or sound atmosphere for the 3D environment\n- Make a 3d print or other physical model\n- Make a physical painting about the 3D object\n- Place the 3D model into other 3D environments like Minecraft\n\n### Who are the #PALMYRAVERSE Judges?\n\nThe judges for the November 2018 are\n\n- [Isaac Mao](https://en.wikipedia.org/wiki/Isaac_Mao) is a Chinese venture capitalist, software architect, social media researcher, and the creator of Musicoin. \n- [Dana Trometer](https://danatrometer.com/) is a TV/Film Producer and Editor, a Senior Creative Editor at M&C Saatchi London, and was a core member of the #FREEBASSEL Campaign.  \n- [Bradley G. Munkowitz GMUNK](https://gmunk.com/) is a Designer, Director, and Galactic Crusader. \n\n### How Will Works be Judged?\n\nEach judge will be allotted LikeCoin to use to Like works on Artifaq. (Additionally, anyone with LikeCoin may Like works.)\n\n### Is there a limit on the number of submissions?\n\nNo, you can submit as many works as you'd like! But, we recommend considering the quality, rather than the quantity, of submissions. However, if your submission includes multiple works that connect thematically, then please submit multiple pieces for the single prompt.\n\n### What is LikeCoin?\n\nLikeCoin is a technology created by the [LikeCoin Foundation](https://like.co/) to support payments to artists through a \"Like\" button. LikeCoin is an Ethereum token.\n\n### What is Artifaq?\n\nArtifaq is the open platform making art accessible, gathering facts about artworks, artists, exhibitions, and galleries, to build the world's best source of knowledge about ephemeral, hidden, digital, and emerging artworks. \n\nArtifaq is also the engine that powers the #PALMYRAVERSE. The community is encouraged to submit and add to existing works to make all work more accessible and transparent. Signup for an account to add your artworks.\n\n### Get Started!\n\n- [Join Artifaq in Telegram](https://t.me/artifaq)\n- [Create an Artifaq account](https://artifaq.io/signup)" }, { "_id": "5be174c29e23820005cbb1f4", "metadata": { "location": [ { "value": "Shanghai" }, { "value": "China" } ], "date": [ { "value": "2018-11-06" } ], "timestamp": 1541502146630 }, "metadataString": "{\"location\":[{\"value\":\"Shanghai\"},{\"value\":\"China\"}],\"date\":[{\"value\":\"2018-11-06\"}]}", "title": "Cindy Sherman Solo Show Shanghai", "type": "exhibition", "url": "cindy-sherman-solo-show-shanghai", "owner": null, "ownerUserId": null, "wikiVersion": 0, "images": [ "095B4D81E4C84A1C8D4DFE5868053C2Fjpeg-1541502197174.jpeg" ] }, { "_id": "5be30dcd9e23820005cbb201", "metadata": { "location": [ { "value": "West Bund" }, { "value": "Shanghai" }, { "value": "China" } ], "date": [ { "value": "2018-11-07" } ], "timestamp": 1541606861819, "gallery": [ { "value": "White Space Beijing", "groupId": "5be30a439e23820005cbb1fc" } ] }, "metadataString": "{\"location\":[{\"value\":\"West Bund\"},{\"value\":\"Shanghai\"},{\"value\":\"China\"}],\"date\":[{\"value\":\"2018-11-07\"}],\"timestamp\":1541606861819,\"gallery\":[{\"value\":\"White Space Beijing\",\"groupId\":\"5be30a439e23820005cbb1fc\"}]}", "title": "West Bund Art & Design Fair 2018", "type": "exhibition", "url": "west-bund-art-design-fair-2018", "owner": null, "ownerUserId": null, "wikiVersion": 2, "assets": [], "images": [], "wikiBody": null }, { "_id": "5be4e0319e23820005cbb20b", "metadata": { "location": [ { "value": "Shanghai" }, { "value": "China" } ], "date": [ { "value": "2018-11-10" }, { "value": "2019-02-24" } ], "Type of Exhibition": { "value": "Solo Show" }, "timestamp": 1541726257796, "curator": [ { "value": "Venus Lau" }, { "value": "Ulrich Loock" } ], "gallery": [ { "value": "chi K11 art museum" } ], "exhibition": [ { "value": "Mumbling Mud", "groupId": "5be4e0319e23820005cbb20b" } ] }, "metadataString": "{\"location\":[{\"value\":\"Shanghai\"},{\"value\":\"China\"}],\"date\":[{\"value\":\"2018-11-10\"},{\"value\":\"2019-02-24\"}],\"Type of Exhibition\":{\"value\":\"Solo Show\"},\"timestamp\":1541726257796,\"curator\":[{\"value\":\"Venus Lau\"},{\"value\":\"Ulrich Loock\"}],\"gallery\":[{\"value\":\"chi K11 art museum\"}],\"exhibition\":[{\"value\":\"Mumbling Mud\",\"groupId\":\"5be4e0319e23820005cbb20b\"}]}", "title": "Mumbling Mud", "type": "exhibition", "url": "mumbling-mud", "owner": null, "ownerUserId": null, "wikiVersion": 3, "assets": [], "images": [ "70086C765D8B427D9E7581D47BF3CAFEjpeg-1541726475668.jpeg", "7016B77D95794B5EBA311BBB1277A844jpeg-1541726566624.jpeg", "C929B300FE9B4F578BB6F0CB7214339Fjpeg-1541726619407.jpeg", "D0E97B9F834B4F76A1BA423B52AFAC1Ajpeg-1541726641075.jpeg", "F39598EA27504E65A6BA1A726E54C380jpeg-1541726705561.jpeg", "7C86CC98137E46488EE006FED8116EA6jpeg-1541726736688.jpeg", "A11591BBA29C42E9B0C19111CAB2FA61jpeg-1541726759884.jpeg" ], "wikiBody": "Katharina Grosse’s first solo exhibition in China.\n" }, { "_id": "5bf0c378a1ed8f00050f6d11", "metadata": { "location": [ { "value": "St. Louis, MO, USA" } ], "date": [ { "value": "2018" } ], "gallery": [ { "value": "Saint Louis Art Museum", "groupId": "5bf098411015ed000563d069", "id": "5bf098411015ed000563d069" } ], "Type of Exhibition": { "value": "Solo" } }, "metadataString": "{\"location\":[{\"value\":\"St. Louis, MO, USA\"}],\"date\":[{\"value\":\"2018\"}],\"gallery\":[{\"value\":\"Saint Louis Art Museum\",\"groupId\":\"5bf098411015ed000563d069\",\"id\":\"5bf098411015ed000563d069\"}],\"Type of Exhibition\":{\"value\":\"Solo\"}}", "title": "Kehinde Wiley: Saint Louis", "wikiBody": "Kehinde Wiley solo exhibit featuring portraits of St. Louis residents.\n\n#### Talk\n\n- Extract and link old paintings kehinde referencing @rejon", "type": "exhibition", "url": "kehinde-wiley-saint-louis", "owner": null, "ownerUserId": null, "wikiVersion": 3, "images": [ "F3F6E348BE1A4D20A810434FEEC9003Cjpeg-1542505436729.jpeg", "B2B1C957C4EC4910ABDB75BCCFD173A9jpeg-1542505359049.jpeg", "93E1DD37BE2842149C6359643A058A76jpeg-1542505383342.jpeg", "69E53043961F40ABBA43B57CFE15E665jpeg-1542505396165.jpeg" ], "assets": [] }, { "_id": "5bf1cc1c1015ed000563d073", "metadata": { "location": [ { "value": "St. Louis, Missouri, USA" } ], "date": [ { "value": "2018" } ], "gallery": [ { "value": "Saint Louis Art Museum", "groupId": "5bf098411015ed000563d069", "id": "5bf098411015ed000563d069" } ] }, "metadataString": "{\"location\":[{\"value\":\"St. Louis, Missouri, USA\"}],\"date\":[{\"value\":\"2018\"}],\"gallery\":[{\"value\":\"Saint Louis Art Museum\",\"groupId\":\"5bf098411015ed000563d069\",\"id\":\"5bf098411015ed000563d069\"}]}", "title": "Graphic Revolution: American Prints 1960 to Now", "wikiBody": "**Gossip**\r\n\r\n- Text to be entered\r\n- photos to be captured", "type": "exhibition", "url": "graphic-revolution-american-prints-1960-to-now", "owner": null, "ownerUserId": null, "wikiVersion": 1, "images": [ "0C63BA8ECAC8433E99B97F73575CE2F9jpeg-1542573115830.jpeg" ], "assets": [] }, { "_id": "5bf3015a02dd540005bf82af", "metadata": { "location": [ { "value": "Angad Arts Hotel, St. Louis, Missouri, USA" } ], "date": [ { "value": "2018" } ], "curator": [ { "value": "Zlatko Ćosić" } ] }, "metadataString": "{\"location\":[{\"value\":\"Angad Arts Hotel, St. Louis, Missouri, USA\"}],\"date\":[{\"value\":\"2018\"}],\"curator\":[{\"value\":\"Zlatko Ćosić\"}]}", "title": "Chameleon Lamp", "wikiBody": "The signature video art installation at Angad Arts Hotel is the Chameleon Lamp located in the Chameleon Lounge of the hotel’s lobby. The video artworks displayed on the lamp are meant to create surprise, delight, and joy.\r\n\r\nThe Chameleon Lamp Video Art Project is curated by video artist Zlatko Ćosić and features work by local artists VanMcElwee, Anna Minx, William Morris, and Natalie Rainer, together with various videos by Ćosić specifically created for this project.\r\n\r\n360 degree illustrations by kozyndan are animated by Ćosić and adapted for the Chameleon Lamp. Choreographer and dancer, Audrey Simes, collaborated with Ćosić in the creation of a variety of performance videos inspired by the unique format of the Chameleon Lamp.", "type": "exhibition", "url": "chameleon-lamp", "owner": null, "ownerUserId": null, "wikiVersion": 2, "images": [ "ezgif26363ef0d8ad3gif-1542652928297.gif" ], "assets": [ "ChameleonLampflyerNov1AAHwebpdf-1542663888972.pdf", "ChameleonLampflyerNov1AAHwebpdf-1542663893323.pdf" ] }, { "_id": "5bf32a0902dd540005bf82d3", "metadata": { "location": [ { "value": "San Francisco" } ], "date": [ { "value": "September 8, 2018" }, { "value": "November 17, 2018" } ], "gallery": [ { "value": "CULT Aimee Friberg Exhibitions", "groupId": "5bf31f6902dd540005bf82c0" } ], "link": [ { "value": "https://cultexhibitions.com/exhibition/rebekah-goldstein-flipside/" }, { "value": "https://www.artsy.net/show/cult-aimee-friberg-exhibitions-rebekah-goldstein-see-you-on-the-flipside" } ], "Type of Exhibition": { "value": "Solo" }, "timestamp": 1542662665672 }, "metadataString": "{\"location\":[{\"value\":\"San Francisco\"}],\"date\":[{\"value\":\"September 8, 2018\"},{\"value\":\"November 17, 2018\"}],\"gallery\":[{\"value\":\"CULT Aimee Friberg Exhibitions\",\"groupId\":\"5bf31f6902dd540005bf82c0\"}],\"link\":[{\"value\":\"https://cultexhibitions.com/exhibition/rebekah-goldstein-flipside/\"},{\"value\":\"https://www.artsy.net/show/cult-aimee-friberg-exhibitions-rebekah-goldstein-see-you-on-the-flipside\"}],\"Type of Exhibition\":{\"value\":\"Solo\"}}", "title": "REBEKAH GOLDSTEIN: See You On the Flipside", "wikiBody": "Solo show for artist Rebekah Goldstein", "type": "exhibition", "url": "rebekah-goldstein-see-you-on-the-flipside", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5bf3350502dd540005bf82e7", "metadata": { "location": [ { "value": "The Annex, 2/F Nan Fung Place, 173 Des Voeux Road Central, Hong Kong" } ], "date": [ { "value": "6pm – 8pm, 15 November 2018 " } ], "gallery": [ { "value": "Hong Kong Contemporary Art", "groupId": "5bf3342e02dd540005bf82e1", "id": "5bf3342e02dd540005bf82e1" } ], "Type of Exhibition": { "value": "Solo" }, "link": [ { "value": "http://hoca.org/millennials-dilemma-solo-exhibition-erik-parker/" } ] }, "metadataString": "{\"location\":[{\"value\":\"The Annex, 2/F Nan Fung Place, 173 Des Voeux Road Central, Hong Kong\"}],\"date\":[{\"value\":\"6pm – 8pm, 15 November 2018 \"}],\"gallery\":[{\"value\":\"Hong Kong Contemporary Art\",\"groupId\":\"5bf3342e02dd540005bf82e1\",\"id\":\"5bf3342e02dd540005bf82e1\"}],\"Type of Exhibition\":{\"value\":\"Solo\"},\"link\":[{\"value\":\"http://hoca.org/millennials-dilemma-solo-exhibition-erik-parker/\"}]}", "title": "Millennial’s Dilemma – a Solo Exhibition by Erik Parker", "wikiBody": "A solo exhibition.", "type": "exhibition", "url": "millennial-s-dilemma-a-solo-exhibition-by-erik-parker", "owner": null, "ownerUserId": null, "wikiVersion": 1, "assets": [], "images": [] }, { "_id": "5bf344b8a8b62200059aa29e", "metadata": { "location": [ { "value": "Paris" } ], "date": [ { "value": "Oct 17, 2018" }, { "value": "Oct 21, 2018" } ], "link": [ { "value": "https://www.fabienfryns.com/asia-now-art-fair-paris-2018/" } ], "gallery": [ { "value": "Fabien Fryns Fine Art", "groupId": "5bf340b2a8b62200059aa298" } ], "curator": [ { "value": "Fabien Fryns" } ], "Type of Exhibition": { "value": "Art fair" }, "timestamp": 1542669496399 }, "metadataString": "{\"location\":[{\"value\":\"Paris\"}],\"date\":[{\"value\":\"Oct 17, 2018\"},{\"value\":\"Oct 21, 2018\"}],\"link\":[{\"value\":\"https://www.fabienfryns.com/asia-now-art-fair-paris-2018/\"}],\"gallery\":[{\"value\":\"Fabien Fryns Fine Art\",\"groupId\":\"5bf340b2a8b62200059aa298\"}],\"curator\":[{\"value\":\"Fabien Fryns\"}],\"Type of Exhibition\":{\"value\":\"Art fair\"}}", "title": "Fabien Fryns Fine Art @ Asia Now Art Fair Paris 2018", "wikiBody": "Exhibition inside Asia Art Now Paris 2018 Art Fair.", "type": "exhibition", "url": "fabien-fryns-fine-art-asia-now-art-fair-paris-2018", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5bf46d4635cb9d00050815f5", "metadata": { "timestamp": 1542745414367 }, "metadataString": "{}", "title": "Time Capsules", "wikiBody": "", "type": "exhibition", "url": "time-capsules", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c0be866cab8b200055fb3ef", "metadata": { "location": [ { "value": "Miami" } ], "date": [ { "value": "2018-12-05" } ] }, "metadataString": "{\"location\":[{\"value\":\"Miami\"}],\"date\":[{\"value\":\"2018-12-05\"}]}", "title": "KAWS x Campana at Design Miami 2018", "wikiBody": "A collaboration between KAWS and Studi Campana.", "type": "exhibition", "url": "kaws-x-campana-at-design-miami-2018", "owner": null, "ownerUserId": null, "wikiVersion": 4, "images": [ "E04AAC62B6FF433E9EEDC29E8F18895Ajpeg-1544284354220.jpeg", "C031BFA590E54FCD9E1DF6078A8F7483jpeg-1544286917480.jpeg", "A6FE8C63728E4E429D5EF91DA9D1FC04jpeg-1544286943745.jpeg", "C89872ECEB994DB280EFCEC18AF6BA59jpeg-1544287017280.jpeg", "672F954734754CF099649C4BF47B17F7jpeg-1544288905151.jpeg", "CA45FAA9C3E8422F951F3AD72FE115A6jpeg-1544289294416.jpeg" ], "assets": [] }, { "_id": "5c0c6f1fcab8b200055fb400", "metadata": { "date": [ { "value": "September 8 - November 3, 2018" } ], "gallery": [ { "value": "Transfer Gallery", "groupId": "5bfdf3d28253fc0005058a5c", "id": "5bfdf3d28253fc0005058a5c" } ], "curator": [ { "value": "Nora O Murchú" } ], "sponsor": [ { "value": "Culture Ireland" } ], "link": [ { "value": "http://transfergallery.com/weird-capitalism/" } ] }, "metadataString": "{\"date\":[{\"value\":\"September 8 - November 3, 2018\"}],\"gallery\":[{\"value\":\"Transfer Gallery\",\"groupId\":\"5bfdf3d28253fc0005058a5c\",\"id\":\"5bfdf3d28253fc0005058a5c\"}],\"curator\":[{\"value\":\"Nora O Murchú\"}],\"sponsor\":[{\"value\":\"Culture Ireland\"}],\"link\":[{\"value\":\"http://transfergallery.com/weird-capitalism/\"}]}", "title": "Weird Capitalism", "wikiBody": "![Weird Capitalism](http://transfergallery.com/wp-content/uploads/2018/08/HomoEconomicus_06.png \"Weird Capitalism\")\n\nFrom http://transfergallery.com/weird-capitalism/\n\n“WEIRD CAPITALISM” A NEW EXHIBITION OF NEW WORKS BY ARTISTS ALAN BUTLER (IE) AND ALAN WARBURTON (UK), CURATED BY NORA O MURCHÚ. In the exhibition, the two artists, explore the peculiar tendencies of new modes of work that the smooth logic of capitalism sells us.\n\nA press preview of the exhibition takes place on Saturday, September 8 from 4:30-6pm, followed immediately by a public reception from 6-8pm. The exhibition continues through November 3rd, 2018.\n\nWork, work, work, work, work, work\nYou see me I be work, work, work, work, work, work\nThere’s something ’bout that work, work, work, work, work, work\nWork, work, work, work, work, work\n\nFrom endless content production to administrative bloat, today’s conditions of labour ask us to exert not just cognitive and emotional, but existential labor. Economic transactions disguise themselves as experiences, surplus value comes in the forms of retweets, reposts, and algorithmically configured trends. Work has moved beyond the merging of play and labour, and instead operates at an uncanny closeness to our corporeal forms.\n\nWork transforms us. Work contorts us. Work bends us. To live in strange worlds. Fit new ideals. To constantly consume ourselves, spreading its banality across virtually every aspect of our daily lives.\n\nThe artists in this show examine the awkward tendencies, the absurd and weird conditions of rapid economic expansion, and the social change that 100%, 24/7 Full Employment brings about. Through their work, Butler and Warburton point to the inescapable structures of capitalism we are firmly embedded within and our complicity within them.\n\nIn Homo Economicus, a collection of new video works, Warburton explores how men working in London’s financial district both modify and commodify their own bodies. In each of the works, the artist inflates and deflates 3D characters and the pitch of their voices to conflate the corporate and the corporeal, and question male self-worth and its apparent apotheosis in the hyper-competitive financial services industry.\n\nIn Dispatches, a new series of mixed-media sculptures, Butler explores ideas about new economies, precarity, and the nature of work in the internet age. His sculptures take the form of food delivery backpacks and present an array of computer-generated videos, psychedelic reproductions of soviet socialist realism paintings, prints, robotics, and lighting effects. The works raise questions about the contemporary Real, and our conscious and subconscious subjugation that is implicit in a digital society.\n\nThe work in Weird Capitalism is presented not as an attempt to develop alternatives to our current modes of employment, but instead explores the part of capitalist structure that is only open for negotiation through its own language.\n\nThe exhibition is accompanied by an essay by Nora O Murchú.\n\nThe exhibition opens to the public with an artist reception on Saturday, September 8 at TRANSFER from 6–9 PM in East Williamsburg, Brooklyn, at 1030 Metropolitan Avenue. For more information contact director@transfergallery.com.\n\nReferences:\n– Rihanna (2016), Work. Island Def Jam\n– Fisher, Mark (2009), Capitalist Realism: Is there no alternative? Zero Books", "type": "exhibition", "url": "weird-capitalism", "owner": null, "ownerUserId": null, "wikiVersion": 1, "assets": [], "images": [] }, { "_id": "5c0caececab8b200055fb411", "metadata": { "location": [ { "value": "Miami" } ], "date": [ { "value": "2018-12" } ] }, "metadataString": "{\"location\":[{\"value\":\"Miami\"}],\"date\":[{\"value\":\"2018-12\"}]}", "title": "Artbasel Miami 2018", "wikiBody": "17th edition\n\n### Gossip\n\n- https://www.wmagazine.com/gallery/art-basel-miami-beach-2018-party-pictures-celebrities\n- https://www.hollywoodreporter.com/news/miami-art-fairs-draw-jennifer-lopez-bill-gates-armie-hammer-1167751", "type": "exhibition", "url": "artbasel-miami-2018", "owner": null, "ownerUserId": null, "wikiVersion": 1, "assets": [], "images": [] }, { "_id": "5c0e8594cab8b200055fb41d", "metadata": { "location": [ { "value": "Miami, Florida" } ], "date": [ { "value": "Dec 4, 2018" }, { "value": "Apr 21, 2019" } ], "gallery": [ { "value": "ICA Miami" } ], "link": [ { "value": "https://www.icamiami.org/exhibition/judy-chicago/" }, { "value": "https://resnicow.com/client-news/judy-chicago-survey-opens-institute-contemporary-art-miami-december-4-during-art-basel" } ], "sponsor": [ { "value": " Max Mara" }, { "value": "Knight Foundation" } ] }, "metadataString": "{\"location\":[{\"value\":\"Miami, Florida\"}],\"date\":[{\"value\":\"Dec 4, 2018\"},{\"value\":\"Apr 21, 2019\"}],\"gallery\":[{\"value\":\"ICA Miami\"}],\"link\":[{\"value\":\"https://www.icamiami.org/exhibition/judy-chicago/\"},{\"value\":\"https://resnicow.com/client-news/judy-chicago-survey-opens-institute-contemporary-art-miami-december-4-during-art-basel\"}],\"sponsor\":[{\"value\":\" Max Mara\"},{\"value\":\"Knight Foundation\"}]}", "title": "Judy Chicago: A Reckoning", "wikiBody": "A solo show of Judy Chicago's work.\n\n#### Talk\n\n- break out artworks as photos to artifaq artworks (@rejon)\n- added link to press which can be mined for more info (@rejon)", "type": "exhibition", "url": "judy-chicago-a-reckoning", "owner": null, "ownerUserId": null, "wikiVersion": 4, "assets": [], "images": [ "20C917FA32224D94AA1D3284747CD7F7jpeg-1544456494770.jpeg", "502ED6EFE5AB43CFB29DFF4A62BD96D6jpeg-1544456508303.jpeg" ] }, { "_id": "5c0ea80acab8b200055fb42a", "metadata": { "location": [ { "value": "Brooklyn, New York" } ], "curator": [ { "value": "Eleonora Brizi", "groupId": "5c0ea7c4cab8b200055fb428" } ], "timestamp": 1544464394127 }, "metadataString": "{\"location\":[{\"value\":\"Brooklyn, New York\"}],\"curator\":[{\"value\":\"Eleonora Brizi\",\"groupId\":\"5c0ea7c4cab8b200055fb428\"}]}", "title": "Rare Pepe Art Show", "wikiBody": "An art show focusing on the Rare Pepe Art Collection.", "type": "exhibition", "url": "rare-pepe-art-show", "owner": null, "ownerUserId": null, "wikiVersion": 0, "images": [ "F92A1BA73B894226815BB38BEE039EB1jpeg-1551335163451.jpeg" ] }, { "_id": "5c0eadcbf6500e0005b3c610", "metadata": { "location": [ { "value": "Contemporary Art Museum" }, { "value": "Saint Louis, Missouri, USA" } ], "gallery": [ { "value": "Contemporary Art Museum St. Louis", "groupId": "5c142c1f84ec1f0005ae7edc" } ], "timestamp": 1544465867312 }, "metadataString": "{\"location\":[{\"value\":\"Contemporary Art Museum\"},{\"value\":\"Saint Louis, Missouri, USA\"}],\"gallery\":[{\"value\":\"Contemporary Art Museum St. Louis\"}]}", "title": "Basquiat Before Basquiat: East 12th Street, 1979–1980", "wikiBody": "A survey of Basquiat's artwork.", "type": "exhibition", "url": "basquiat-before-basquiat-east-12th-street-1979-1980", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c0ed529f6500e0005b3c61b", "metadata": { "location": [ { "value": "Saint Louis, Missouri, USA" } ], "date": [ { "value": "2018-09" } ] }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, Missouri, USA\"}],\"date\":[{\"value\":\"2018-09\"}]}", "title": "Paint Louis 2018", "wikiBody": "Paint Louis 2018 is the largest gathering of Painters in the world.\n\n#### 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"date": [ { "value": "2011" } ], "gallery": [ { "value": "MoMA" } ], "timestamp": 1544492865893 }, "metadataString": "{\"date\":[{\"value\":\"2011\"}],\"gallery\":[{\"value\":\"MoMA\"}]}", "title": "Talk to Me", "wikiBody": "Whether openly and actively or in subtle, subliminal ways, things talk to us. Tangible and intangible, and at all scales—from the spoon to the city, the government, and the Web, and from buildings to communities, social networks, systems, and artificial worlds—things communicate. They do not all speak up: some use text, diagrams, visual interfaces, or even scent and temperature: others just keep us company in eloquent silence.\n\nThe purpose of design began to shift in the late 20th century from utility toward a more holistic combination of purpose and meaning. Thus far, 21st-century culture is centered on interaction: “I communicate, therefore I am” is the defining affirmation of contemporary existence, and objects and systems that were once charged only with formal elegance and functional soundness are now also expected to have personalities. Contemporary designers do not just provide function, form, and meaning, but also must draft the scripts that allow people and things to develop and improvise a dialogue.\n\nNew branches of design practice have emerged in the past decades that combine design’s old-fashioned preoccupations—with form, function, and meaning—with a focus on the exchange of information and even emotion. Communication design deals with the delivery of messages, encompassing graphic design, wayfinding, and communicative objects of all kinds, from printed materials to three-dimensional and digital projects. Interface and interaction design delineate the behavior of products and systems as well as the experiences that people will have with them. Information and visualization design deal with the maps, diagrams, and tools that filter and make sense of information. In critical design, conceptual scenarios are built around hypothetical objects to comment on the social, political, and cultural consequences of new technologies and behaviors.\n\nTalk to Me explores this new terrain, featuring a variety of designs that enhance communicative possibilities and embody a new balance between technology and people, bringing technological breakthroughs up or down to a comfortable, understandable human scale. Designers are using the whole world to communicate, transforming it into a live stage for an information parkour and enriching our lives with emotion, motion, direction, depth, and freedom.", "type": "exhibition", "url": "talk-to-me", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c1046122013040005cfd6fc", "metadata": { "location": [ { "value": "South Beach, Miami" } ], "date": [ { "value": "2018-12" } ], "timestamp": 1544570386251 }, "metadataString": "{\"location\":[{\"value\":\"South Beach, Miami\"}],\"date\":[{\"value\":\"2018-12\"}]}", "title": "Untitled Art Fair Miami 2018", "wikiBody": "A satellite art fair of Art Basel Miami.", "type": "exhibition", "url": "untitled-art-fair-miami-2018", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c13f463df2c230005a8b794", "metadata": { "location": [ { "value": "Gabriel Dunne Studio, 1410 62nd St, Emeryville, CA 94608" } ], "date": [ { "value": "September 22, 2018 - November 17th, 2018" } ], "curator": [ { "value": "Gabriel Dunne", "groupId": -1 } ], "link": [ { "value": "http://gabrieldunne.com/metaflux/" } ] }, "metadataString": "{\"location\":[{\"value\":\"Gabriel Dunne Studio, 1410 62nd St, Emeryville, CA 94608\"}],\"date\":[{\"value\":\"September 22, 2018 - November 17th, 2018\"}],\"curator\":[{\"value\":\"Gabriel Dunne\",\"groupId\":-1}],\"link\":[{\"value\":\"http://gabrieldunne.com/metaflux/\"}]}", "title": "Metaflux", "wikiBody": "META\nFLUX\nof Present Futures\n\nWORKS BY\nNicole Aptekar\nRyan Alexander\nHarvey Moon\nGabriel Dunne\nMike Jacobs\n\nABOUT\nmeta (a) pertaining to or noting an abstract, high-level analysis or commentary, especially one that consciously references something of its own type.\n\nflux (n) continuous change, passage, or movement\n\nFraming understanding through routines and systems, Metaflux is a body of procedure-oriented artworks based on system-focused approaches and integrations. The processes examined by the artists featured in Metaflux are intrinsic to navigating shifts and changes by establishing routines and frameworks. The artifacts of these personal frameworks, as well as the frameworks themselves, represent the efforts to create reliable variables and constructs in a life defined by constant transition and flux.", "type": "exhibition", "url": "metaflux", "owner": null, "ownerUserId": null, "wikiVersion": 2, "images": [ "postersmpng-1544815471390.png", "IMG20181103151205jpg-1544817364513.jpg", "IMG20181103151213jpg-1544817402019.jpg" ], "assets": [] }, { "_id": "5c141994f0fab70005daf2ea", "metadata": { "location": [ { "value": "Faena Forum, Miami Beach" } ], "date": [ { "value": "December, 2018" } ], "link": [ { "value": "https://www.bloomberg.com/news/articles/2018-11-29/billionaires-blockchain-and-art-set-to-collide-in-miami-beach" }, { "value": "https://www.forbes.com/sites/rachelwolfson/2018/12/12/blockchains-impact-on-the-billion-dollar-art-market-debated-during-miami-art-week/#2dfbe36c239a" }, { "value": "https://www.vulture.com/2018/12/a-blockchain-conference-during-art-basel-miami-beach.html" }, { "value": "https://news.artnet.com/art-world/art-of-blockchains-1411054" } ], "sponsor": [ { "value": "Artblx" } ] }, "metadataString": "{\"location\":[{\"value\":\"Faena Forum, Miami Beach\"}],\"date\":[{\"value\":\"December, 2018\"}],\"link\":[{\"value\":\"https://www.bloomberg.com/news/articles/2018-11-29/billionaires-blockchain-and-art-set-to-collide-in-miami-beach\"},{\"value\":\"https://www.forbes.com/sites/rachelwolfson/2018/12/12/blockchains-impact-on-the-billion-dollar-art-market-debated-during-miami-art-week/#2dfbe36c239a\"},{\"value\":\"https://www.vulture.com/2018/12/a-blockchain-conference-during-art-basel-miami-beach.html\"},{\"value\":\"https://news.artnet.com/art-world/art-of-blockchains-1411054\"}],\"sponsor\":[{\"value\":\"Artblx\"}]}", "title": "The Art of Blockchains", "wikiBody": "", "type": "exhibition", "url": "the-art-of-blockchains", "owner": null, "ownerUserId": null, "wikiVersion": 3, "assets": [], "images": [] }, { "_id": "5c142be584ec1f0005ae7eda", "metadata": { "location": [ { "value": "St. Louis" } ], "date": [ { "value": "Jun 27 – Aug 10, 2014" } ], "gallery": [ { "value": "Contemporary Art Museum St. Louis", "groupId": "5c142c1f84ec1f0005ae7edc" } ], "curator": [ { "value": "Jeffrey Uslip" } ], "sponsor": [ { "value": "Zach Feuer Gallery, New York" } ], "link": [ { "value": "https://camstl.org/exhibitions/jon-rafman-the-end-of-the-end-of-the-end/" } ], "timestamp": 1544825829662 }, "metadataString": "{\"location\":[{\"value\":\"St. Louis\"}],\"date\":[{\"value\":\"Jun 27 – Aug 10, 2014\"}],\"gallery\":[{\"value\":\"Contemporary Art Museum St. Louis\"}],\"curator\":[{\"value\":\"Jeffrey Uslip\"}],\"sponsor\":[{\"value\":\"Zach Feuer Gallery, New York\"}],\"link\":[{\"value\":\"https://camstl.org/exhibitions/jon-rafman-the-end-of-the-end-of-the-end/\"}]}", "title": "The end of the end of the end", "wikiBody": "The end of the end of the end, the first American solo museum exhibition of Canadian artist Jon Rafman, features the single channel video Still Life (Betamale) as well as a selection of recent sculpture and photography from the artist’s New Age Demanded series. In his multidisciplinary practice, Rafman often explores the relationship between the “real” and the “virtual” in contemporary life, urging viewers to reconsider the boundaries between the two.\n\nRafman’s recent video works excavate subcultural erotica trafficked on the Deep or Invisible Web—the majority of the content on the Internet, which is not accessible through standard search engines—and celebrate the utopian possibility for online self-reinvention. Still Life (Betamale) elaborates on the artist’s earlier film works; here, assembled images of virtual landscapes address issues of social and sexual exoticism. Drawing from the aesthetics of imageboards (think Tumblr or Reddit), Rafman guides viewers through a series of vignettes culled from the Invisible Web, navigating what the video calls the “endlessly winding paths” of Furry fandoms, 8-bit video game GIFsets, Internet “troll caves,” and manga pornography.\n\nRafman’s New Age Demanded works comprise a series of 3D-printed busts and their 2D digital counterparts, which blur the traditional distinctions between an image and its physical analog. The anonymous, alien, digitally-derived heads collapse the contemporary and the anachronistic with a radical reimagining of the canonical Greco-Roman bust while the accompanying “photographs” relocate the physical busts to a two-dimensional plane, grafting layers of digital paint onto Internet-driven imagery.\n\nForegrounding the degree to which digital information permeates our everyday lives, Rafman underscores the conflict between intangible imagery and the human impulse to connect, revealing both the possibilities and limitations of virtual exploration. In combining both the physical and the virtual, his works take up an unfamiliar and uncanny third space between the two realms.", "type": "exhibition", "url": "the-end-of-the-end-of-the-end", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c1469826f68890005f3baf3", "metadata": { "location": [ { "value": "London" } ], "date": [ { "value": "December 2018" } ], "gallery": [ { "value": "arebyte Gallery" } ], "timestamp": 1544841602013 }, "metadataString": "{\"location\":[{\"value\":\"London\"}],\"date\":[{\"value\":\"December 2018\"}],\"gallery\":[{\"value\":\"arebyte Gallery\"}]}", "title": "Re-Figure Ground", "wikiBody": "", "type": "exhibition", "url": "re-figure-ground", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c1469c66f68890005f3baf5", "metadata": { "location": [ { "value": "Santa Fe" } ], "date": [ { "value": "June 2018" } ], "gallery": [ { "value": "Transfer Gallery", "groupId": "5bfdf3d28253fc0005058a5c" }, { "value": "Thoma Foundation" } ], "timestamp": 1544841670724 }, "metadataString": "{\"location\":[{\"value\":\"Santa Fe\"}],\"date\":[{\"value\":\"June 2018\"}],\"gallery\":[{\"value\":\"Transfer Gallery\",\"groupId\":\"5bfdf3d28253fc0005058a5c\"},{\"value\":\"Thoma Foundation\"}]}", "title": "TRANSFER DOWNLOAD", "wikiBody": "", "type": "exhibition", "url": "transfer-download", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c1469f06f68890005f3baf7", "metadata": { "location": [ { "value": "Paris" } ], "date": [ { "value": "November 2017" } ], "timestamp": 1544841712012 }, "metadataString": "{\"location\":[{\"value\":\"Paris\"}],\"date\":[{\"value\":\"November 2017\"}]}", "title": "LA BELLE VIE NUMÉRIQUE!", "wikiBody": "", "type": "exhibition", "url": "la-belle-vie-num-rique", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c146a1b6f68890005f3baf9", "metadata": { "location": [ { "value": "Vienna" } ], "date": [ { "value": "September 2017" } ], "timestamp": 1544841755161 }, "metadataString": "{\"location\":[{\"value\":\"Vienna\"}],\"date\":[{\"value\":\"September 2017\"}]}", "title": "Cyber Corporealities", "wikiBody": "", "type": "exhibition", "url": "cyber-corporealities", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c146a3c6f68890005f3bafb", "metadata": { "location": [ { "value": "Montreal" } ], "date": [ { "value": "August 2017" } ], "timestamp": 1544841788791 }, "metadataString": "{\"location\":[{\"value\":\"Montreal\"}],\"date\":[{\"value\":\"August 2017\"}]}", "title": "Subversions of Reality", "wikiBody": "", "type": "exhibition", "url": "subversions-of-reality", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c146a606f68890005f3bafd", "metadata": { "location": [ { "value": "London" } ], "date": [ { "value": "July 2017" } ], "timestamp": 1544841824468 }, "metadataString": "{\"location\":[{\"value\":\"London\"}],\"date\":[{\"value\":\"July 2017\"}]}", "title": "The Garden of Virtual Utopias", "wikiBody": "", "type": "exhibition", "url": "the-garden-of-virtual-utopias", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c146a7c6f68890005f3baff", "metadata": { "location": [ { "value": "Los Angeles" } ], "date": [ { "value": "June 2017" } ], "gallery": [ { "value": "LACDA" } ], "timestamp": 1544841852447 }, "metadataString": "{\"location\":[{\"value\":\"Los Angeles\"}],\"date\":[{\"value\":\"June 2017\"}],\"gallery\":[{\"value\":\"LACDA\"}]}", "title": "Online All Summer", "wikiBody": "", "type": "exhibition", "url": "online-all-summer", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c146a986f68890005f3bb01", "metadata": { "location": [ { "value": "London" } ], "date": [ { "value": "March 2017" } ], "gallery": [ { "value": "Somerset House" } ], "timestamp": 1544841880961 }, "metadataString": "{\"location\":[{\"value\":\"London\"}],\"date\":[{\"value\":\"March 2017\"}],\"gallery\":[{\"value\":\"Somerset House\"}]}", "title": "Nocturnal City", "wikiBody": "", "type": "exhibition", "url": "nocturnal-city", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c148cd66f68890005f3bb07", "metadata": { "date": [ { "value": "February 2014" } ], "gallery": [ { "value": "Pari Nadimi Gallery" } ], "curator": [ { "value": "Sarah Friend", "groupId": "5bb44f591649a30005582921" } ] }, "metadataString": "{\"date\":[{\"value\":\"February 2014\"}],\"gallery\":[{\"value\":\"Pari Nadimi Gallery\"}],\"curator\":[{\"value\":\"Sarah Friend\",\"groupId\":\"5bb44f591649a30005582921\"}]}", "title": "Pics or It Didn't Happen", "wikiBody": "A group exhibition in Pari Nadimi Gallery's project space, including works by Rachel de Joode Berlin, Felix Kalmenson Toronto, Adriana Rami Los Angeles, David Hanes Baltimore, Elliot Vredenburg Los Angeles, and Elle Kurancid Toronto. This show is curated by Toronto-based writer, maker, and activist Sarah Friend.\n\nThe phrase \"pics or it didnt happen\" began in web forums as a response to an outlandish or dubious claim like, Duuuude. Last night I met Miley Cyrus and she twerked on me. Response: Pics or it didnt happen. Such an exchange is a reminder that our culture equates photos with proof a flawed proposition.\n\nThis is an exhibition of art documentation photosthe digital traces that remain after an exhibition, the self-made archivepresented in place of art itself. But in Pics or it didnt happen, the art documented does not exist. Various artists explore this conundrum and its ramifications, both in and outside of this exhibition, and the art world.\n\nRachel de Joode has a solo exhibition opening at Neumeister Bar-Am Berlin in February, and another at SWG3 Glasgow in June. She is the founder and art-director of Meta Magazine. Felix Kalmenson completed the residency at ZK/U Center for Art and Urbanistics Berlin in fall 2013. His solo exhibition HLS-F71, opened in January at The New Gallery Calgary. Adriana Rami received her BFA from the University of California San Diego in 2011. Her recent projects include Craigslist-Assisted Readymade at Stadium New York and Architects of Gamma Bad at Sunhoo Industrial Design Park Fuyang, China. David Hanes received his BFA from the Ontario College of Art and Design University Toronto in 2013. His solo exhibition David Hanes: Aware, opens in April at Birch Contemporary Toronto. Elliot Vredenburg is currently an MA candidate at the California Institute of the Arts Los Angeles. He is a member of the Toronto collective Workparty, whose project The Little People was installed at Toronto City Hall for Nuit Blanche in fall 2013. Elle Kurancid exhibited in Reputations, a two-person show at Pari Nadimi Gallery in fall 2013. She will start an MA at Goldsmiths London in September. Sarah Friend organizes an interdisciplinary lecture series called Small Talk Toronto, 2012-3. Her research interests include modernism, utopian politics/aesthetics, and rapid-prototyping technologies.", "type": "exhibition", "url": "pics-or-it-didn-t-happen", "owner": null, "ownerUserId": null, "wikiVersion": 3, "assets": [], "images": [ "ScreenShot20181214at113503PMpng-1544852141916.png" ] }, { "_id": "5c15ce41654fa70005f4bb06", "metadata": { "location": [ { "value": "Granite City, Illinois, USA" } ], "date": [ { "value": "2018-12-15" } ], "gallery": [ { "value": "G-CADD", "groupId": "5bdf6636f4986c00052d1d19" } ], "curator": [ { "value": "Paal Williams", "groupId": -1 }, { "value": "Marissa Dembkoski", "groupId": -1 } ], "link": [ { "value": "https://twitter.com/silverspacestl/status/1074068072342917120?s=21" }, { "value": "https://silverspacestl.com/grid-is-life/" } ] }, "metadataString": "{\"location\":[{\"value\":\"Granite City, Illinois, USA\"}],\"date\":[{\"value\":\"2018-12-15\"}],\"gallery\":[{\"value\":\"G-CADD\",\"groupId\":\"5bdf6636f4986c00052d1d19\"}],\"curator\":[{\"value\":\"Paal Williams\",\"groupId\":-1},{\"value\":\"Marissa Dembkoski\",\"groupId\":-1}],\"link\":[{\"value\":\"https://twitter.com/silverspacestl/status/1074068072342917120?s=21\"},{\"value\":\"https://silverspacestl.com/grid-is-life/\"}]}", "title": "PIXEL", "wikiBody": "A show curated by PWMD.", "type": "exhibition", "url": "pixel", "owner": null, "ownerUserId": null, "wikiVersion": 3, "images": [ "309A8C00D6F2467D88E05CD2FE93B6B9jpeg-1544932974040.jpeg", "9D7B1A6DA262448DB02CF3CDDE99462Ejpeg-1544933074767.jpeg", "C307E5F62BA0414697A54AA9F6C3B0DDjpeg-1545154662856.jpeg", "3AD205C094004BB29177F0135000220Djpeg-1545154683562.jpeg", "4D82CD4BF433410EBE1DD8468494DD52jpeg-1545154702467.jpeg" ], "assets": [] }, { "_id": "5c17356933c8590006b5d1db", "metadata": { "curator": [ { "value": "Nick Keyegan" } ], "timestamp": 1545024873910 }, "metadataString": "{\"curator\":[{\"value\":\"Nick Keyegan\"}]}", "title": "3D Man Resting Prone", "wikiBody": "", "type": "exhibition", "url": "3d-man-resting-prone", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c173b6e33c8590006b5d1e3", "metadata": { "location": [ { "value": "Cologne" } ], "date": [ { "value": "September 8 – November 11, 2018" } ], "gallery": [ { "value": "Koelnischer Kunstverein" } ], "timestamp": 1545026414419 }, "metadataString": "{\"location\":[{\"value\":\"Cologne\"}],\"date\":[{\"value\":\"September 8 – November 11, 2018\"}],\"gallery\":[{\"value\":\"Koelnischer Kunstverein\"}]}", "title": "Solito", "wikiBody": "From press release: \n\nProduced on site at the Kölnischer Kunstverein over the course of two months, Julien Ceccaldi’s Solito is a large-scale exhibition in which a fairy tale unfolds around a character of the same name, a concupiscent and boyish 30-year-old virgin willing to give himself to anybody. The plot is inspired by stories such as “Beauty and the Beast“, “Bluebeard“, and “The Nutcracker and the Mouse King“, in which the female protagonists end up in love with ugly men, and sexuality manifests itself through power and violence. However, all Solito gets out of his unsightly, quickly aborted love story, is a fading souvenir of happiness.\n\nMisery is all the more evident in the comic book published by Ceccaldi for this exhibition. In what could be interpreted as a dream of his own doing, the titular character goes so far as to make advances to death itself. He follows Oscar, a soldier from a magical land who is nothing more than “a cadaver, an empty shell [he] projects on” (J. Ceccaldi). Solito is presented as ambivalent: Desperate for partnership and security, he also acts masochistically in that he orchestrates a self-fulfilling destiny of being forever rejected. He plays with the dead like one does with dolls, and dreams of an eternal tea party with skeletons, all the while unconsciously wishing they would turn on him. Betraying their trust ultimately gets him thrown back onto the cold sidewalk of the real world – an allusion to “The Little Match Girl” by Hans-Christian Andersen, one of the most prominent fairy tale writers.\n\nCeccaldi took descriptions of the author’s life as a template for Solito’s character traits. Andersen never engaged in sexual relations with women nor men, indulging in intense masturbation after each encounter instead. Described as childish and love-obsessed in equal measures, he was considered an outsider and a loner within the Copenhagen elite of the 19th century, and he died alone at the end of his days. His original tales were perverse and morbid; his suffering heroines often dying a painful death. Later adaptations of his more tragic stories have been rewritten with a happy ending.\n\nFurther aesthetic and conceptual references can be found in the animation TV-series “Revolutionary Girl Utena” (1997) by Kunihiko Ikuhara, and the manga “The Rose of Versailles” (1972) and “Oniisama E” (1975) by Riyoko Ikeda, which weave together fairytale symbols, androgyny, and inescapable fates along with modern backdrops and contemporary preoccupations. The exhibition also borrows from these works the liberty to blend myths from different places across history from the Middle Ages, to 19th century Europe and our present time.\n\nThese different starting points establish the framework for the figures and setting in Solito, which are transferred onto various surfaces both inside and outside the exhibition spaces: animated video loops, sculptures, digital drawings, and paintings on plastic. The works no longer follow a consistently linear narrative as on the pages of the book. Inspired by cel art, a technique used in animation to separate backgrounds from foregrounds, images of different moods manifest themselves through overlays, off-sets, and trompe l’œil effects. They circulate around the figure of Solito, with whom visitors get closer to as they walk through the exhibition hall. Like the fragmented pieces that come together to form identity itself, repeated variations of the same figure elicit feelings of vanity and confinement, but also moments of emancipatory liberation.", "type": "exhibition", "url": "solito", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c173c4133c8590006b5d1e5", "metadata": { "location": [ { "value": "Paris, France" } ], "date": [ { "value": "2015" } ], "gallery": [ { "value": "XPO Gallery", "groupId": "5c195dc44b04110005e5914b" } ], "timestamp": 1545026625671 }, "metadataString": "{\"location\":[{\"value\":\"Paris, France\"}],\"date\":[{\"value\":\"2015\"}],\"gallery\":[{\"value\":\"XPO Gallery\"}]}", "title": "Surface Proxy", "wikiBody": "Surface Proxy is a show of picture surrogates, inkjet prints on linen wrapped around CNC milled foam sculptures.\n\nValla begins with Medieval French architectural and sculptural fragments that have made their way into the collections of museums in New York and Providence, where the artist lives and works. The objects at the various institutions are chosen because they bear visible scars of their transformation from fixed architectural ornaments to stand-alone sculptural works.\n\nIn order to reproduce the fragments Valla uses a process known as photogrammetry: objects are photographed from multiple angles and a 3d model of the objects is produced by triangulating the multiple images.\n\nThe origins of photogrammetry are intrinsically linked with the medieval content. The technique was invented by a French mathematician in 1849 and perfected in the later half of the 19th century by Albrecht Meydenbauer, a Prussian architect tasked with surveying historical monuments on the verge of complete decay. A near fatal fall from a gothic cathedral convinces Meydenbauer to employ the ‘magic scaffold’ of photogrammetry – to measure and model from a distance. Contemporary photogrammetry software has made this once specialized scientific process widely accessible.\n\nThe 3d models produced by photogrammetry are images in a quite literal sense – extracted from optical technologies, they are formed on the computer screen by wrapping and folding flat pictures around hollow 3d volumes. The promise of 3d scanning and manufacturing is that we will be able to reproduce objects. The truth is that we get 3d images. Valla emphasises the increasing confusion between image and objects in these works.", "type": "exhibition", "url": "surface-proxy", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c188171b2af04000505d9de", "metadata": { "location": [ { "value": "Online" } ], "date": [ { "value": "2017" } ], "curator": [ { "value": "John Hampton" } ], "gallery": [ { "value": "IOTA Commission" } ], "timestamp": 1545109873970 }, "metadataString": "{\"location\":[{\"value\":\"Online\"}],\"date\":[{\"value\":\"2017\"}],\"curator\":[{\"value\":\"John Hampton\"}],\"gallery\":[{\"value\":\"IOTA Commission\"}]}", "title": "Important Men", "wikiBody": "", "type": "exhibition", "url": "important-men", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c1881d8b2af04000505d9e1", "metadata": { "date": [ { "value": "2017" } ], "curator": [ { "value": "John Hampton", "groupId": 0 } ], "gallery": [ { "value": "Art Gallery Southwestern Manitoba", "groupId": 0 } ], "timestamp": 1545109976305 }, "metadataString": "{\"date\":[{\"value\":\"2017\"}],\"curator\":[{\"value\":\"John Hampton\",\"groupId\":0}],\"gallery\":[{\"value\":\"Art Gallery Southwestern Manitoba\",\"groupId\":0}]}", "title": "The Blue Pill", "wikiBody": "", "type": "exhibition", "url": "the-blue-pill", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c1881fab2af04000505d9e3", "metadata": { "location": [ { "value": "Vancouver" } ], "date": [ { "value": "2016" } ], "gallery": [ { "value": "Western Front" } ], "timestamp": 1545110010853 }, "metadataString": "{\"location\":[{\"value\":\"Vancouver\"}],\"date\":[{\"value\":\"2016\"}],\"gallery\":[{\"value\":\"Western Front\"}]}", "title": "Screening: Jennifer Chan", "wikiBody": "", "type": "exhibition", "url": "screening-jennifer-chan", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c18822eb2af04000505d9e5", "metadata": { "location": [ { "value": "Malmo" } ], "date": [ { "value": "2015" } ], "curator": [ { "value": "Andreas Knag-Danielsen" } ], "gallery": [ { "value": "Galleri CC" } ], "timestamp": 1545110062709 }, "metadataString": "{\"location\":[{\"value\":\"Malmo\"}],\"date\":[{\"value\":\"2015\"}],\"curator\":[{\"value\":\"Andreas Knag-Danielsen\"}],\"gallery\":[{\"value\":\"Galleri CC\"}]}", "title": "Sea of Men", "wikiBody": "", "type": "exhibition", "url": "sea-of-men", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c18825eb2af04000505d9e7", "metadata": { "date": [ { "value": "2015" } ], "curator": [ { "value": "Hana Janeckova" } ], "timestamp": 1545110110481 }, "metadataString": "{\"date\":[{\"value\":\"2015\"}],\"curator\":[{\"value\":\"Hana Janeckova\"}]}", "title": "Next Time Baby, I'll Be #Bulletproof", "wikiBody": "", "type": "exhibition", "url": "next-time-baby-i-ll-be-bulletproof", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c18827fb2af04000505d9e9", "metadata": { "location": [ { "value": "Los Angeles" } ], "date": [ { "value": "2015" } ], "timestamp": 1545110143034 }, "metadataString": "{\"location\":[{\"value\":\"Los Angeles\"}],\"date\":[{\"value\":\"2015\"}]}", "title": "ltd presents... Jennifer Chan", "wikiBody": "", "type": "exhibition", "url": "ltd-presents-jennifer-chan", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c1b250591ddfc000565f294", "metadata": { "location": [ { "value": "Saint Louis, MO, USA" } ], "date": [ { "value": "October 18, 2018" }, { "value": "December 15, 2018" } ], "link": [ { "value": "http://www.philipsleingallery.com/current-exhibitions/" } ], "gallery": [ { "value": "Philip Slein Gallery", "groupId": "5c1b23d391ddfc000565f291" } ] }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, MO, USA\"}],\"date\":[{\"value\":\"October 18, 2018\"},{\"value\":\"December 15, 2018\"}],\"link\":[{\"value\":\"http://www.philipsleingallery.com/current-exhibitions/\"}],\"gallery\":[{\"value\":\"Philip Slein Gallery\",\"groupId\":\"5c1b23d391ddfc000565f291\"}]}", "title": "BLONDIE BUBBA: NEW PAINTINGS BY JAMIE ADAMS", "wikiBody": "", "type": "exhibition", "url": "blondie-bubba-new-paintings-by-jamie-adams", "owner": null, "ownerUserId": null, "wikiVersion": 1, "images": [ "9571FB5417D1405286EAD3EB6629DBFBjpeg-1545282917148.jpeg", "477902F76678411BA254434A2974C2F7jpeg-1545282917174.jpeg", "B755201A0A2441328720266A32D5FF34jpeg-1545282917190.jpeg", "BDFB842FE16A44AAACDE157CBEC3BB32jpeg-1545282917201.jpeg", "07C5D80A7571452BB70E3FCAFBA9D916jpeg-1545282917210.jpeg" ], "assets": [] }, { "_id": "5c1c87b48f490c0005aa9204", "metadata": { "date": [ { "value": "May 7 – July 4, 2009" } ], "gallery": [ { "value": "Seventeen Gallery" } ], "timestamp": 1545373620897 }, "metadataString": "{\"date\":[{\"value\":\"May 7 – July 4, 2009\"}],\"gallery\":[{\"value\":\"Seventeen Gallery\"}]}", "title": "Define Your Terms (or Kanye West Fucked Up My Show)", "wikiBody": "From seventeengallery.com\n\nPaul B. Davis’ probing, contemplative second solo show at Seventeen represents a bold step forward for the artist…though not necessarily one he expected to take. It was instigated by a semi-voluntary rejection of a practice that, until very recently, was central to his creative output and figured prominently in his debut exhibition at the gallery – ‘Intentional Computing’ (2007). A curious turn of events led to this unforeseen repudiation and redefinition of practice: \n\nI woke up one morning in March to a flood of emails telling me to look at some video on YouTube. Seconds later saw I Kanye West strutting around in a field of digital glitches that looked exactly like my work. It fucked my show up…the very language I was using to critique pop content from the outside was now itself a mainstream cultural reference.\n\nContentiously dubbed ‘datamoshing’, (or ‘compression aesthetics’, as Davis prefers to describe it), this practice ultimately emerged out of artefacts inherent in the compression algorithms of digitally distributed media. Davis seized upon the glitchy pixellation that is often present while viewing YouTube clips or Digital TV, and repurposed it as a tool of cultural rupture. Alongside other artists such as Paper Rad, Sven König and Takeshi Murata, he engaged this effect as a tool for aestheticized intervention, a fresh framework for analysis, and a new visual language. \n\nIn contemporary culture, mainstream media pilfering of independent artistic production is expected. Moreover, it’s a generative force – renegade practice and/or methodology is forced into evolution by the appropriation of its pioneering techniques. But for Davis this perhaps inevitable incorporation by Kanye West, the self proclaimed “voice of this generation”, served as a trigger to directly engage his growing concern that current artistic methods for grappling with digital culture—hacks, remixes, and “mash-ups” among them— are ill-equipped for sustaining serious and self-reflexive critical examination. As Davis has commented, “These methods generate riffs…restatements or celebrations of existing cultural behaviours, and artists who use them are seemingly unable to either offer incisive alternatives or generate new cultural forms. I was one of these artists, making these riffs, and I’d come to realize their limitations.” \n\nDefine Your Terms (or Kanye West Fucked Up My Show) concerns Davis’ attempt to understand, react to, and depart from this crossroads. The works in the exhibition, many of which disavow his previous modes of hacking or mashing-up existing digital artefacts, have all been produced in the past two months, and will instead propose some alternate strategies for provocatively getting under the skin of Civilisation 2.0. \n\nIn Codec (2009), Davis’ created his own proprietary video compression/decompression algorithm – ‘PBD compression’ – which is free of now-standardized templating and presets. This algorithm is—defiantly—unavailable for commercial use. With Critical Space Headgear (2009) a head-mounted video camera is fed to a head-mounted display, the resolution of camera output and viewed input being reduced to 320×200 pixels thereby creating a self-mediated “reality” that’s flattened in real-time to the same dimensions as YouTube. In The Symbol Grounding Problem (2009) Davis simultaneously ingests a bacon sandwich while defecating in a perspex box as philosopher Luciano Floridi narrates the viewer through what they see onscreen as the interaction of dynamic informational entities. Floridi asserts that as we move closer towards the singularity—the future point in which human consciousness merges with the consciousness of our machinic progeny—our own experiential trajectory in the physical world will become secondary to the interaction of informationally-modeled simulacrum. This inevitable futurity is reinforced while experiencing the most base, mundane of bodily functions– simply taking a poo.\n\nIn this way, the works in this show are built. They are constructed out of whole cloth. There are no naïve uses of technology here as they turn away from seemingly arbitrary, uninterrogated appropriation of digi-cultural artefacts and seek to offer alternative strategies for taking on the protocols of new media. In essence, Define Your Terms (or Kanye West Fucked Up My Show) is an exhibition about Davis breaking free from his own creative paradigm and setting forth a revivified agenda. Through radical reevaluation of his process, Davis has offered some new approaches for tackling the hovering questions that are relentlessly generated by this – our age of over-caffeinated cultural cycles, empty signifiers, and supreme technological oversaturation.", "type": "exhibition", "url": "define-your-terms-or-kanye-west-fucked-up-my-show", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c1cfb9b47e64d0005c6596b", "metadata": { "location": [ { "value": "Ancienne École des beaux-arts" } ], "date": [ { "value": "26.05.2018 - 02.06.2018" } ], "gallery": [ { "value": "Chromatic Fest" }, { "value": "Art Contemporary Club" } ], "link": [ { "value": "https://www.artcontemporaryclub.space/la-croix-digital-oasis" } ] }, "metadataString": "{\"location\":[{\"value\":\"Ancienne École des beaux-arts\"}],\"date\":[{\"value\":\"26.05.2018 - 02.06.2018\"}],\"gallery\":[{\"value\":\"Chromatic Fest\"},{\"value\":\"Art Contemporary Club\"}],\"link\":[{\"value\":\"https://www.artcontemporaryclub.space/la-croix-digital-oasis\"}]}", "title": "La Croix™️ Digital Oasis", "wikiBody": "From the website:\n\nIn the age of hyper-capitalism, staff productivity has become a focal point for the modern office. In this economy of high-festivity and analgesic entertainment, encouragement to stay longer at the office comes in the form of fun.\n\nThrough La Croix TM Digital Oasis, a digital art lounge, Art Contemporary Club takes a critical and ironic look at this new form of office engagement otherwise known as business gamification.\n\nIn an optimized corporate atmosphere, somewhere between 1990 and 2018, Art Contemporary Club presents a collection of works by Kara Güt, Alex McLeod, Colin Meredith, Alexis Quesnel- Denette, Louis TB and Sam Walker, in the form of an immersive experience. The artists participating have been known to reference subjects such as virtual communities, dynamics of power within the capitalist system and the emergence of alternate economies from cryptocurrencies.\n \nWelcome to La Croix TM Digital Oasis. You are invited to stick around the office and have fun! Get comfortable on our beanbags. Let yourself be carried away by your imagination. Your ideas may be our next success story.", "type": "exhibition", "url": "la-croix-digital-oasis", "owner": null, "ownerUserId": null, "wikiVersion": 1, "images": [ "lacroixdigitaloasisartcontemporaryclubKaraGutAlexMcLeodColinMeredithAlexisQuesnelDenetteLouisTBandSamWalkergif-1545404001674.gif" ], "assets": [] }, { "_id": "5c1d1cf547e64d0005c6597b", "metadata": { "location": [ { "value": "Online" } ], "date": [ { "value": "2018" } ] }, "metadataString": "{\"location\":[{\"value\":\"Online\"}],\"date\":[{\"value\":\"2018\"}]}", "title": "Challenge: Document Art Hack Day Artworks and Artists", "wikiBody": "#### Join Us in Documenting Art Hack Day Artworks and Artists\n\nSince 2012 Art Hack Day has prompted artists and technologists to create new artworks which demonstrate the expressive potential of new technology and radical collaboration through grassroots hackathons and exhibitions. Join our effort to fully document the unique body of artworks that have been created over the last six years. \n\n- [Join our Telegram group](http://t.me/artifaq) and ask for the invite code\n- [Create an Artifaq account](https://artifaq.io/signup) with the invite code\n- [Upload your submission](https://artifaq.io/create) to the Art Hack Day exhibition on Artifaq\n\n#### What is Art Hack Day?\n\n[Art Hack Day](http://www.arthackday.net) is a non-profit arts organization that makes pop-up art hackathons around the world. It is \"part happening, part hackathon\" with emphasis on using open source technologies. The goal of Art Hack Day is to bring together hackers whose medium is art and artists whose medium is technology. \n\n#### What is Artifaq?\nArtifaq is a source for ephemeral, hidden, digital, and emerging artworks. Artifaq is also the engine that powers the [#PALMYRAVERSE](https://artifaq.io/faq). The community is encouraged to submit and add to existing works to make artworks more accessible and transparent. [Signup for an account](https://artifaq.io/signup) to add artworks.\n\n#### Get Started\n[Join Artifaq in Telegram to ask for your invite code](https://t.me/artifaq)\n", "type": "exhibition", "url": "challenge-document-art-hack-day-artworks-and-artists", "owner": null, "ownerUserId": null, "wikiVersion": 2, "assets": [], "images": [] }, { "_id": "5c1d205447e64d0005c6597f", "metadata": { "location": [ { "value": "Artifaq.io" } ], "date": [ { "value": "2019" } ] }, "metadataString": "{\"location\":[{\"value\":\"Artifaq.io\"}],\"date\":[{\"value\":\"2019\"}]}", "title": "Challenge: Public Domain 2019", "wikiBody": "#### STATUS: CHALLENGE COMPLETED SUCCESSFULLY.\n\n#### Help Document Artworks Entering the Public Domain on January 1, 2019\n\nOn January 1, 2019, for the first time in more than 20 years, published works will enter the US public domain. Help make these works more accessible by uploading public domain art and adding information about those pieces. \n\n- NOTE: We are focusing on ART purely for this Jan 1, 2019. We are ignoring film and music right now.\n\n#### Discussion\n- [Join us in our group chat](https://t.me/artifaq)\n\n#### Sources of Lists of Artwork\n\n- (DONE) [lifehacker long list including films and music](https://lifehacker.com/these-1923-copyrighted-works-enter-the-public-domain-in-1825241296)\n- (DONE) [10 works entering pd](https://www.toptenz.net/10-famous-works-about-to-enter-the-public-domain.php)\n- (EXTRACTED, NEEDS CREATED) [1923 artworks on wikipedia](https://en.wikipedia.org/wiki/1923_in_art)\n- (NEW) [Wikipedia 1923 Sculptures] (https://en.wikipedia.org/wiki/Category:1923_sculptures)\n\n#### Artwork to CREATE\n\nOnce created, delete from this list. When this list is empty, then Extract more from the Sources above.\n\n- All artworks entered from the above set of Sources. \n\n\n\n", "type": "exhibition", "url": "challenge-public-domain-2019", "owner": null, "ownerUserId": null, "wikiVersion": 27, "assets": [ "TheBlueRoomValadonjpg-1545508324243.jpg" ], "images": [] }, { "_id": "5c1d714ca8ddd10005b67a19", "metadata": { "gallery": [ { "value": "Flood Plain", "groupId": -1 } ], "timestamp": 1545433420640 }, "metadataString": "{\"gallery\":[{\"value\":\"Flood Plain\",\"groupId\":-1}]}", "title": "Youthful Discretion", "wikiBody": "", "type": "exhibition", "url": "youthful-discretion", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c21908dbf94110005edb075", "metadata": { "location": [ { "value": "Transfer Gallery" } ], "date": [ { "value": "November 16th – December 14th" } ] }, "metadataString": "{\"location\":[{\"value\":\"Transfer Gallery\"}],\"date\":[{\"value\":\"November 16th – December 14th\"}]}", "title": "Daniel Temkin 'Glitchometry'", "wikiBody": "Glitchometry is an ongoing body of work from Daniel Temkin, an artist and programmer who produces humanistic collaborative works with the machine. The collaboration is an uneasy one, where the artist and algorithm have conflicting agendas and trade off control in building the work. The result is an exploration of our relationship with machines; a collision between our desire for accessible forms in chaotic processes and a compulsiveness arising from our attempts to think logically.\n\nIn his emphasis on process over product and on the constraint system defining the work, Temkin recalls both the ‘structures’ of Sol LeWitt and Gerhard Richter’s Abstraktes Bild, with its ambivalence of authorship within a system.\n\nTemkin’s exhibition will close with Net Worth, a collection of forged artworks. Temkin invited over 50 artists to produce a piece of artwork counterfeiting the work of another artist of their selection, in hopes the collection will expose net art as a viable investment to big money collectors by establishing a shadow market, proving its ability to hide illicit profits and transfer them easily around the globe.\n\nDANIEL TEMKIN makes images, programming languages, and interactive pieces exploring our inherently broken patterns of thought and the clash between human and algorithmic thinking. Daniel has spoken widely to both art and hacker audiences, at Media Art History (Liverpool 2011 and Riga 2013), CAA, GLI.TC/H conference in 2010 and 2012 (where he led a three-day session on Glitch and Oulipo), Notacon, and Hackers on Planet Earth, among others. He appeared on PBS’s OffBook episode on Glitch Art. His writing has been published in academic journals such as World Picture and Media-N Journal and has been taught at Bard College, Penn State, and Clark University.\n\nDaniel received his MFA from International Center of Photography / Bard College in 2012. His work has been featured at American University Museum, Christopher Henry Gallery, Higher Pictures and Carroll/Fletcher.\n\nMore information is available at danieltemkin.com", "type": "exhibition", "url": "daniel-temkin-glitchometry", "owner": null, "ownerUserId": null, "wikiVersion": 1, "assets": [], "images": [] }, { "_id": "5c21b4d2bf94110005edb084", "metadata": { "location": [ { "value": "Transfer Gallery" } ], "date": [ { "value": "October 17 – November 8" } ], "gallery": [ { "value": "Transfer Gallery", "groupId": "5bfdf3d28253fc0005058a5c" } ], "timestamp": 1545712850520 }, "metadataString": "{\"location\":[{\"value\":\"Transfer Gallery\"}],\"date\":[{\"value\":\"October 17 – November 8\"}],\"gallery\":[{\"value\":\"Transfer Gallery\",\"groupId\":\"5bfdf3d28253fc0005058a5c\"}]}", "title": "Rick Silva 'Sky Burial'", "wikiBody": "TRANSFER is pleased to present 'SKY BURIAL’ the gallery's second solo exhibition with Rick Silva, featuring new video, print, and sculpture works. \n\nTitled ‘SKY BURIAL’, the exhibition takes as its starting point the Tibetan Buddhist funeral practice in which a body is placed on a mountaintop to be eaten by birds of prey. In lieu of bodies and birds, Silva uses quadcopter drones and digital images to reflect on ritual and ascension in the 21st century. \n\nUsing a camera drone, Silva lifts the artist’s submitted image hundreds of feet into the air until it loses contact with the remote and the drones programmed artificial intelligence takes over. Silva records a series of these “sky burials” for 10 artists, selected by the artist from his friends and past collaborators. Silva’s installation of prints and sculpture in the exhibition further explore a world of post military drones and future rituals. \n", "type": "exhibition", "url": "rick-silva-sky-burial", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c2a2b9e18b6690005e95145", "metadata": { "date": [ { "value": "Apr 26th – Jun 23rd" } ], "gallery": [ { "value": "Roehrs & Boetsch ", "groupId": -1 } ], "location": [ { "value": "Zürich, Bachstrasse 9" } ] }, "metadataString": "{\"date\":[{\"value\":\"Apr 26th – Jun 23rd\"}],\"gallery\":[{\"value\":\"Roehrs & Boetsch \",\"groupId\":-1}],\"location\":[{\"value\":\"Zürich, Bachstrasse 9\"}]}", "title": " Olia Lialina – LOSSLESS", "wikiBody": "“Lossless – from lossless compression – is the most poetic word ever used to describe a technical process. So beautiful and ephemeral that I tend to forget what it really means. Every time I see a subfolder named “Lossless” in one of my folders I am paralyzed for a moment; as if I am about to open a treasure box, to see a wonder, a remedy humankind has been searching for since the beginning of time: the elimination of loss, the undoing of the helpless, the sleepless, the inconsolable. Of course I know it is just the name for a standard computing algorithm, that the remedy works for 0s and 1s only, and that inside that folder are files waiting to be uncompressed and displayed without the loss of a single byte. But it is still a wonder.”\n\nBorn in Moscow in 1971 and now based in Germany, Olia Lialina is among the best-known participants in the 1990s net.art scene – an early-days, network-based art pioneer. Her early work had a great impact on recognizing the Internet as a medium for artistic expression and storytelling. This century, her continuous and close attention to Internet architecture, “net.language” and vernacular web – in both artistic and publishing projects – has made her an important voice in contemporary art and new media theory.\n\nThe exhibition “LOSSLESS” showcases Lialina’s recent works centred on invisible or disappearing phenomena of today’s online culture. Since the early years of the World Wide Web, the Internet has departed greatly from its original vision as an idealised platform of information circulation where users were able to create very personalised content and were only restricted by the capacities of the existing software and hardware – and of course their own abilities. According to Lialina, this web of the 1990s was “bright, rich, personal, slow and under construction”. However, with the first dot.com bubble and the subsequent launch of the so-called Web 2.0, as the platform became more and more professionalized and standardized with authoring tools, this washed away the web’s individualistic expression. Instead, we found ourselves in an Internet of perfect surfaces, flawless designs and polished appearances. In addition to the web becoming increasingly user-friendly, computer technology has become less and less detectable, hiding behind the designed outer shells, obscuring the inner workings.\n\nThe works in “LOSSLESS” go behind the designed presentation of today’s Internet and reveal the codes and protocols, the visible and hidden matters, the artefacts left by developers and users. For instance, the series “Network Portraits” highlights the variety of protocols and segmentation of the web. In other works, Lialina showcases an online culture outside of the mainstream web, such as Blingee.com or the now discontinued network Hyves, where users were given a rather high degree of control over the appearance of their profiles. With her works the artist faithfully translates and adapts digital matters into new forms – the lossless uncompression and exhibition of otherwise easily overlooked parts of the Internet. In this way, Lialina monumentalizes and pays respect to the vernacular of today’s online culture while also trying to prevent its disappearance by acting as its archivist.\n\nThe title “LOSSLESS” thus serves as a description of the works as well as of Lialina’s artistic practice in this exhibition. Furthermore, the word reminds us of the idealistic spirit of the early Internet, the hope of having found a remedy, the wonder instilled by the countless possibilities. We have long since learned of the limits of technology, but “LOSSLESS” demonstrates that the web is a lot less uniform than we are led to believe and that it is still a place of wonder.", "type": "exhibition", "url": "olia-lialina-lossless", "owner": null, "ownerUserId": null, "wikiVersion": 1, "assets": [], "images": [] }, { "_id": "5c2ba402cb7f260005f1fd2a", "metadata": { "location": [ { "value": "Saint Louis, Missouri, USA" } ], "date": [ { "value": " Friday, January 11, 7:00 - 10:00 pm" } ], "gallery": [ { "value": "Monaco", "groupId": "5c2ba44fcb7f260005f1fd2d" } ], "link": [ { "value": "https://monacomonaco.us" }, { "value": "https://twitter.com/Monaco_USA/status/1080144438930952192" } ] }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, Missouri, USA\"}],\"date\":[{\"value\":\" Friday, January 11, 7:00 - 10:00 pm\"}],\"gallery\":[{\"value\":\"Monaco\",\"groupId\":-1}],\"link\":[{\"value\":\"https://monacomonaco.us\"},{\"value\":\"https://twitter.com/Monaco_USA/status/1080144438930952192\"}]}", "title": "Tensor Field", "wikiBody": "A solo exhibition by Chicago artist Zachary Buchner.", "type": "exhibition", "url": "tensor-field", "owner": null, "ownerUserId": null, "wikiVersion": 1, "images": [ "Dv1xjMyUYAEsDzrjpg-1546363942017.jpg" ], "assets": [] }, { "_id": "5c2c0e3eb8b23b000530109a", "metadata": { "timestamp": 1546391102119 }, "metadataString": "{}", "title": "Flavor of Nature", "wikiBody": "Salon 94 Bowery presented the first solo exhibition in the United States of the Japanese artist, Takuro Kuwata.\n\nJapanese ceramic techniques and aesthetic principles, both traditional and experimental, form the foundation for Takuro Kuwata’s otherworldly objects & vessels. His creations push the ancient medium to a riotous extreme, dancing between pop and Kogei (traditional craft). Kuwata presents contemporary textures and colors, inspired by the world around him.\n\nRiffing on the classical tea vessel, Kuwata plays freely with an intense chromatic repertoire: blue, red and gold are a favored palette—quoting Yves Klein and Yayoi Kusama with whimsy and sophistication. The vivid colors paired with the metallic glazes provide an at once rustic and futuristic update to the more austere wabi sabi aesthetic of traditional tea ceremony wares.\n\nKuwata also turns up the volume on Ishihaze or “stone explosion”. By adding stones to his clay mix, when fired, they puncture and burst through the clay, as if a tooth growing out of place. In his hands, the shrunken, crackled glaze of the Kairagi technique brings to mind exploded prehistoric eggs or plants dipped in metal. Kuwata actually adds powdered platinum and almost pure gold on top of the cracked white glazed and refires it. In other works, the cracked mercury surface breaks on top, and spikes of the metallic substrate pierce through the surface, to melt at the bottom. Kuwata has pioneered the incorporation of needles employed in the construction of kilns, using them in the ceramic works to catch the glaze on its slide down, creating a textural marvel and mystery. Some of the sculptures are functional; others stand as abstract totems—their origin and time slipping from East to West, past to future.", "type": "exhibition", "url": "flavor-of-nature", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c2ce1e4e9b14f00058b6d7b", "metadata": { "location": [ { "value": "Saint Louis, Missouri, USA" } ], "date": [ { "value": "Jan 18, 2019" }, { "value": "Apr 21, 2019" } ], "gallery": [ { "value": "Contemporary Art Museum St. Louis", "groupId": "5c142c1f84ec1f0005ae7edc" } ], "link": [ { "value": "https://camstl.org/exhibitions/christine-corday/" } ], "timestamp": 1546445284253 }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, Missouri, USA\"}],\"date\":[{\"value\":\"Jan 18, 2019\"},{\"value\":\"Apr 21, 2019\"}],\"gallery\":[{\"value\":\"Contemporary Art Museum St. Louis\",\"groupId\":\"5c142c1f84ec1f0005ae7edc\"}],\"link\":[{\"value\":\"https://camstl.org/exhibitions/christine-corday/\"}]}", "title": "RELATIVE POINTS", "wikiBody": "", "type": "exhibition", "url": "relative-points", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c2ce3a5e9b14f00058b6d7f", "metadata": { "location": [ { "value": "Saint Louis, Missouri, USA" } ], "date": [ { "value": "Jan 18, 2019" }, { "value": "Apr 21, 2019" } ], "link": [ { "value": "https://camstl.org/exhibitions/guan-xiao/" } ], "curator": [ { "value": "Wassan Al-Khudhairi", "groupId": -1 }, { "value": "Misa Jeffereis", "groupId": -1 } ], "timestamp": 1546445733651 }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, Missouri, USA\"}],\"date\":[{\"value\":\"Jan 18, 2019\"},{\"value\":\"Apr 21, 2019\"}],\"link\":[{\"value\":\"https://camstl.org/exhibitions/guan-xiao/\"}],\"curator\":[{\"value\":\"Wassan Al-Khudhairi\",\"groupId\":-1},{\"value\":\"Misa Jeffereis\",\"groupId\":-1}]}", "title": "Fiction Archive Project", "wikiBody": "", "type": "exhibition", "url": "fiction-archive-project", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c2ce570e9b14f00058b6d85", "metadata": { "location": [ { "value": "Saint Louis, Missouri, USA" } ], "date": [ { "value": "Jan 18, 2019" }, { "value": "Apr 21, 2019" } ], "link": [ { "value": "https://camstl.org/exhibitions/oliver-laric-2000-cliparts/" } ] }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, Missouri, USA\"}],\"date\":[{\"value\":\"Jan 18, 2019\"},{\"value\":\"Apr 21, 2019\"}],\"link\":[{\"value\":\"https://camstl.org/exhibitions/oliver-laric-2000-cliparts/\"}]}", "title": "2000 Cliparts", "wikiBody": "From the website for the show:\n\nBerlin-based artist Oliver Laric accumulates, sorts, and recycles visual materials available online. For Street Views, on view on the museum’s facade from dusk to midnight, CAM presents Laric’s 2000 Cliparts (2010). In this video, Laric animated a sequence of 2,000 examples of copyright-free clipart taken from various sources depicting human figures in different positions. The three-minute animation speeds through a range of stock characters such as martial artist, tennis player, and knight. Laric organized the images based on the form, pose, and action of the figure in relation to the image that comes before and after. The result is a spectacular, morphing portrait of human culture and cultural stereotypes. This work, a reinterpretation of his earlier 787 Cliparts (2006), anticipates our readiness to express ourselves through found images—a key component of meme and emoji culture. 2000 Cliparts is available for download on the artist’s website—its accessibility and free distribution is integral to the work.", "type": "exhibition", "url": "2000-cliparts", "owner": null, "ownerUserId": null, "wikiVersion": 2, "assets": [], "images": [ "ScreenShot20190102at101917AMpng-1546446240685.png" ] }, { "_id": "5c2e83ad3194880005ef6e70", "metadata": { "location": [ { "value": "Saint Louis" } ], "date": [ { "value": "2018-2019" } ], "gallery": [ { "value": "Pulitzer Arts Foundation", "groupId": "5c2e83303194880005ef6e6d" } ] }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis\"}],\"date\":[{\"value\":\"2018-2019\"}],\"gallery\":[{\"value\":\"Pulitzer Arts Foundation\",\"groupId\":\"5c2e83303194880005ef6e6d\"}]}", "title": "Ruth Asawa: Life’s Work", "wikiBody": "", "type": "exhibition", "url": "ruth-asawa-life-s-work", "owner": null, "ownerUserId": null, "wikiVersion": 1, "images": [ "04CAC568D8BE47EFB323B63137C05758jpeg-1546554196622.jpeg", "C6792B0466A84033A0E0120F8D5463C5jpeg-1546554196665.jpeg", "8D1F21779F074D5683E9D657CB9F3D26jpeg-1546554196692.jpeg" ], "assets": [] }, { "_id": "5c2eed213b0fb7000547a7f3", "metadata": { "location": [ { "value": "San Francisco, CA, USA" } ], "date": [ { "value": "January 12, 2019" }, { "value": "February 23, 2019" } ], "link": [ { "value": "https://cultexhibitions.com/exhibition/masako-miki-shapeshifters/" } ], "gallery": [ { "value": "CULT Aimee Friberg Exhibitions", "groupId": "5bf31f6902dd540005bf82c0" } ], "dateOpening": { "value": "January 12, 2019, 6-8 PM" } }, "metadataString": "{\"location\":[{\"value\":\"San Francisco, CA, USA\"}],\"date\":[{\"value\":\"January 12, 2019\"},{\"value\":\"February 23, 2019\"}],\"link\":[{\"value\":\"https://cultexhibitions.com/exhibition/masako-miki-shapeshifters/\"}],\"gallery\":[{\"value\":\"CULT Aimee Friberg Exhibitions\",\"groupId\":\"5bf31f6902dd540005bf82c0\"}],\"dateOpening\":{\"value\":\"January 12, 2019, 6-8 PM\"}}", "title": "Masako Miki: Shapeshifters", "wikiBody": "Text on the website for the show.", "type": "exhibition", "url": "masako-miki-shapeshifters", "owner": null, "ownerUserId": null, "wikiVersion": 1, "assets": [], "images": [] }, { "_id": "5c2ff201e01f2400064500d7", "metadata": { "gallery": [ { "value": " Sheldon Concert Hall and Art Galleries", "groupId": -1 } ], "location": [ { "value": "St. Louis, Missouri" } ], "dateClosing": { "value": "January 26, 2019" }, "dateOpening": { "value": "January 4, 2019" }, "sponsor": [ { "value": "John and Alison Ferring" } ], "timestamp": 1546646017191 }, "metadataString": "{\"gallery\":[{\"value\":\" Sheldon Concert Hall and Art Galleries\",\"groupId\":-1}],\"location\":[{\"value\":\"St. Louis, Missouri\"}],\"dateClosing\":{\"value\":\"January 26, 2019\"},\"dateOpening\":{\"value\":\"January 4, 2019\"},\"sponsor\":[{\"value\":\"John and Alison Ferring\"}]}", "title": "Re/Constructing Identity", "wikiBody": "", "type": "exhibition", "url": "re-constructing-identity", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c34302aab57600005d0c008", "metadata": { "dateClosing": { "value": "February 23, 2019" }, "dateOpening": { "value": "January 26, 2019" }, "curator": [ { "value": "Gretta Louw", "groupId": -1 } ], "timestamp": 1546924074898 }, "metadataString": "{\"dateClosing\":{\"value\":\"February 23, 2019\"},\"dateOpening\":{\"value\":\"January 26, 2019\"},\"curator\":[{\"value\":\"Gretta Louw\",\"groupId\":-1}]}", "title": "ICONICITY", "wikiBody": "ICONICITY brings together contemporary artworks that examine the concept, construction, and mythology of the icon. The artists in the exhibition explore ideas ranging from the connection between Medieval devotional iconography and emojis to the religious fervor of technology. Guest curated by Munich-based artist and curator Gretta Louw, the exhibition includes video, software and net art, textile art, and digital prints by nine international artists and artist groups.\n\nArtists include: American Artist, Carla Gannis, Jan Robert Leegte, Gretta Louw, Keiichi Matsuda, Owen Mundy, Tabita Rezaire, Alicia Ross, and the Warnayaka Art Centre.\n\nJanuary 26 – February 23, 2019\nReception: Saturday, January 26, 7-9pm\nArtist/Curator Talk: Monday, January 28, time to be announced", "type": "exhibition", "url": "iconicity", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c343e0bab57600005d0c021", "metadata": { "link": [ { "value": "https://www.swissinstitute.net/exhibition/one-for-all-andrea-crespo-virocrypsis/" } ], "dateClosing": { "value": "20 December 2015" }, "dateOpening": { "value": "18 November 2015" } }, "metadataString": "{\"link\":[{\"value\":\"https://www.swissinstitute.net/exhibition/one-for-all-andrea-crespo-virocrypsis/\"}],\"dateClosing\":{\"value\":\"20 December 2015\"},\"dateOpening\":{\"value\":\"18 November 2015\"}}", "title": "Andrea Crespo: virocrypsis", "wikiBody": "virocrypsis is the fourth exhibition in the ONE FOR ALL series at SI. Building on Swiss Institute’s long history of providing a platform for emerging artists, each show will be the artist’s first institutional solo exhibition in the United States with a newly commissioned body of work specifically created for the exhibition space. Swiss Institute is grateful for support from the VIA Art Fund, Presenting Sponsor of the ONE FOR ALL series.", "type": "exhibition", "url": "andrea-crespo-virocrypsis", "owner": null, "ownerUserId": null, "wikiVersion": 1, "assets": [], "images": [] }, { "_id": "5c357069046d23000672fcd6", "metadata": { "location": [ { "value": "Beijing, China" } ], "date": [ { "value": "2018-11-18" }, { "value": "2019-01-15" } ], "link": [ { "value": "http://www.arrowfactory.org.cn/" } ], "gallery": [ { "value": "Arrow Factory", "groupId": "5c35709a046d23000672fcda" } ], "timestamp": 1547006057462 }, "metadataString": "{\"location\":[{\"value\":\"Beijing, China\"}],\"date\":[{\"value\":\"2018-11-18\"},{\"value\":\"2019-01-15\"}],\"link\":[{\"value\":\"http://www.arrowfactory.org.cn/\"}],\"gallery\":[{\"value\":\"Arrow Factory\",\"groupId\":-1}]}", "title": "Arrhythmia at Arrow Factory 2018", "wikiBody": "Show with the same name as the Artwork.", "type": "exhibition", "url": "arrhythmia-at-arrow-factory-2018", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c3c02cadf70c400057a4dbf", "metadata": { "location": [ { "value": "San Diego" } ], "date": [ { "value": "2019-01-31" } ], "link": [ { "value": "https://artifaq.io/challenge/crca" }, { "value": "http://ideas.calit2.net/" } ], "dateOpening": { "value": "2019-01-31" }, "dateClosing": { "value": "2019-01-31" }, "curator": [ { "value": "Unknown", "groupId": -1 } ], "sponsor": [ { "value": "Calit2" }, { "value": "UCSD" }, { "value": "UCSD Alumni" } ] }, "metadataString": "{\"location\":[{\"value\":\"San Diego\"}],\"date\":[{\"value\":\"2019-01-31\"}],\"link\":[{\"value\":\"https://artifaq.io/challenge/crca\"},{\"value\":\"http://ideas.calit2.net/\"}],\"dateOpening\":{\"value\":\"2019-01-31\"},\"dateClosing\":{\"value\":\"2019-01-31\"},\"curator\":[{\"value\":\"Unknown\",\"groupId\":-1}],\"sponsor\":[{\"value\":\"Calit2\"},{\"value\":\"UCSD\"},{\"value\":\"UCSD Alumni\"}]}", "title": "Artifaq x CRCA", "wikiBody": "This is the rapidly developing exhibition for the Artifaq x CRCA Collection & Exhibition 2019.", "type": "exhibition", "url": "artifaq-x-crca", "owner": null, "ownerUserId": null, "wikiVersion": 2, "images": [ "crcat670t658jpg-1547436765247.jpg", "crcalogocolhighRes110401142843jpg-1547529957332.jpg" ], "assets": [] }, { "_id": "5c3c3f9ddf70c400057a4dd4", "metadata": { "location": [ { "value": "Beijing" } ], "date": [ { "value": "2018-06-02" } ], "dateClosing": { "value": "2018-07-15" }, "gallery": [ { "value": "Hua Gallery", "groupId": -1 } ], "dateOpening": { "value": "2018-06-02" }, "link": [ { "value": "https://www.instagram.com/p/BjgD6udhNr5/" } ] }, "metadataString": "{\"location\":[{\"value\":\"Beijing\"}],\"date\":[{\"value\":\"2018-06-02\"}],\"dateClosing\":{\"value\":\"2018-07-15\"},\"gallery\":[{\"value\":\"Hua Gallery\",\"groupId\":-1}],\"dateOpening\":{\"value\":\"2018-06-02\"},\"link\":[{\"value\":\"https://www.instagram.com/p/BjgD6udhNr5/\"}]}", "title": "Sum of the Parts", "wikiBody": "Solo show of Matt Hope’s art.", "type": "exhibition", "url": "sum-of-the-parts", "owner": null, "ownerUserId": null, "wikiVersion": 1, "images": [ "B74FC691C1A24C0B9868E508A915C47Bjpeg-1547452348933.jpeg" ], "assets": [] }, { "_id": "5c3d630e84fc160005732dbf", "metadata": { "location": [ { "value": "Granite City, IL," } ], "date": [ { "value": "2017" } ], "gallery": [ { "value": "G-CADD" }, { "value": "Plaque at G-CADD", "groupId": -1 } ], "exhibitionType": [ { "value": "Solo Show" } ] }, "metadataString": "{\"location\":[{\"value\":\"Granite City, IL,\"}],\"date\":[{\"value\":\"2017\"}],\"gallery\":[{\"value\":\"G-CADD\"},{\"value\":\"Plaque at G-CADD\",\"groupId\":-1}],\"exhibitionType\":[{\"value\":\"Solo Show\"}]}", "title": ".skin", "wikiBody": "", "type": "exhibition", "url": "skin", "owner": null, "ownerUserId": null, "wikiVersion": 2, "assets": [], "images": [] }, { "_id": "5c3d63f984fc160005732dc4", "metadata": { "location": [ { "value": "Saint Louis, MO, USA" } ], "date": [ { "value": "2017" } ], "gallery": [ { "value": "Grease 3", "groupId": -1 } ], "exhibitionType": [ { "value": "Solo" } ] }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, MO, USA\"}],\"date\":[{\"value\":\"2017\"}],\"gallery\":[{\"value\":\"Grease 3\",\"groupId\":-1}],\"exhibitionType\":[{\"value\":\"Solo\"}]}", "title": "6 paintings 9 sculptures", "wikiBody": "", "type": "exhibition", "url": "6-paintings-9-sculptures", "owner": null, "ownerUserId": null, "wikiVersion": 1, "assets": [], "images": [] }, { "_id": "5c3d64c684fc160005732dc8", "metadata": { "location": [ { "value": "Saint Louis, MO, USA" } ], "date": [ { "value": "2015" } ], "gallery": [ { "value": "Hoffman LaChance Contemporary", "groupId": -1 } ], "exhibitionType": [ { "value": "Solo Show" } ] }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, MO, USA\"}],\"date\":[{\"value\":\"2015\"}],\"gallery\":[{\"value\":\"Hoffman LaChance Contemporary\",\"groupId\":-1}],\"exhibitionType\":[{\"value\":\"Solo Show\"}]}", "title": "Synthesizer", "wikiBody": "", "type": "exhibition", "url": "synthesizer", "owner": null, "ownerUserId": null, "wikiVersion": 1, "assets": [], "images": [] }, { "_id": "5c3d64f284fc160005732dcc", "metadata": { "location": [ { "value": "Saint Louis, MO, USA" } ], "date": [ { "value": "2015" } ], "gallery": [ { "value": "The Millitzer Gallery", "groupId": -1 } ], "timestamp": 1547527410924 }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, MO, USA\"}],\"date\":[{\"value\":\"2015\"}],\"gallery\":[{\"value\":\"The Millitzer Gallery\",\"groupId\":-1}]}", "title": "Vibration Process", "wikiBody": "", "type": "exhibition", "url": "vibration-process", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c3d651c84fc160005732dd0", "metadata": { "location": [ { "value": "Saint Louis, MO, USA" } ], "date": [ { "value": "2014" } ], "gallery": [ { "value": "Third Degree", "groupId": -1 } ], "exhibitionType": [ { "value": "Solo Show" } ] }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, MO, USA\"}],\"date\":[{\"value\":\"2014\"}],\"gallery\":[{\"value\":\"Third Degree\",\"groupId\":-1}],\"exhibitionType\":[{\"value\":\"Solo Show\"}]}", "title": "Clean Lines", "wikiBody": "", "type": "exhibition", "url": "clean-lines", "owner": null, "ownerUserId": null, "wikiVersion": 1, "assets": [], "images": [] }, { "_id": "5c3d659984fc160005732dd4", "metadata": { "location": [ { "value": "Saint Louis, MO, USA" } ], "date": [ { "value": "2013" } ], "gallery": [ { "value": "Fifty 09 Gallery", "groupId": -1 } ], "timestamp": 1547527577593 }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, MO, USA\"}],\"date\":[{\"value\":\"2013\"}],\"gallery\":[{\"value\":\"Fifty 09 Gallery\",\"groupId\":-1}]}", "title": "Nick Schleicher", "wikiBody": "", "type": "exhibition", "url": "nick-schleicher", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c3d67a584fc160005732ddd", "metadata": { "location": [ { "value": "Saint Louis, MO, USA" } ], "date": [ { "value": "2013" } ], "curator": [ { "value": "SPACE", "groupId": -1 } ], "exhibitionType": [ { "value": "Solo Show" } ], "timestamp": 1547528101967 }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, MO, USA\"}],\"date\":[{\"value\":\"2013\"}],\"curator\":[{\"value\":\"SPACE\",\"groupId\":-1}],\"exhibitionType\":[{\"value\":\"Solo Show\"}]}", "title": "Nick Schleicher @ Space", "wikiBody": "", "type": "exhibition", "url": "nick-schleicher-space", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c3d684784fc160005732de1", "metadata": { "location": [ { "value": "Saint Louis, MO, USA" } ], "date": [ { "value": "2018" } ], "exhibitionType": [ { "value": "Group" } ], "gallery": [ { "value": "Beverly (redux)", "groupId": -1 } ], "timestamp": 1547528263754 }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, MO, USA\"}],\"date\":[{\"value\":\"2018\"}],\"exhibitionType\":[{\"value\":\"Group\"}],\"gallery\":[{\"value\":\"Beverly (redux)\",\"groupId\":-1}]}", "title": "G-CASH", "wikiBody": "", "type": "exhibition", "url": "g-cash", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c3d6b8d84fc160005732de7", "metadata": { "location": [ { "value": "Saint Louis, MO, USA" } ], "date": [ { "value": "Februrary 2019" } ], "gallery": [ { "value": "Erica Popp Gallery", "groupId": -1 } ], "timestamp": 1547529101410 }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis, MO, USA\"}],\"date\":[{\"value\":\"Februrary 2019\"}],\"gallery\":[{\"value\":\"Erica Popp Gallery\",\"groupId\":-1}]}", "title": "In the Flesh", "wikiBody": "", "type": "exhibition", "url": "in-the-flesh", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c6b8aeedbff910005de25e5", "metadata": { "location": [ { "value": "St. Louis, Missouri, USA" } ], "date": [ { "value": "2011" } ], "gallery": [ { "value": "The Luminary Center for the Arts", "groupId": -1 } ], "timestamp": 1550551790499 }, "metadataString": "{\"location\":[{\"value\":\"St. Louis, Missouri, USA\"}],\"date\":[{\"value\":\"2011\"}],\"gallery\":[{\"value\":\"The Luminary Center for the Arts\",\"groupId\":-1}]}", "title": "Format", "wikiBody": "", "type": "exhibition", "url": "format", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c6b8d00dbff910005de25eb", "metadata": { "location": [ { "value": "Los Angeles, California, USA" } ], "date": [ { "value": "17 February 2019" } ], "link": [ { "value": "https://thenewsstandproject.com/MATT-HOPE" } ], "timestamp": 1550552320646 }, "metadataString": "{\"location\":[{\"value\":\"Los Angeles, California, USA\"}],\"date\":[{\"value\":\"17 February 2019\"}],\"link\":[{\"value\":\"https://thenewsstandproject.com/MATT-HOPE\"}]}", "title": "Sleight of Hand", "wikiBody": "From thenewsstandproject.com\n\nTHE NEWSSTAND PROJECT is pleased to present SLEIGHT OF HAND, an exhibition of recent work by London-born, Beijing-based artist MATT HOPE, organized by Alexis Hyde. SLEIGHT OF HAND will be on view by appointment at 8361 Beverly Boulevard, Los Angeles, CA. 90048 from February 17 to March 23, 2019, with a public reception to be held on Sunday, February 17 from 11:00am - 1:30pm. \n \nSLEIGHT OF HAND features selected recent drawings and sculptures from Hope’s expansive and enigmatic artistic practice, one consistently in conversation with aspects of architecture, engineering, industry, and technology. On view during this exhibition are a collection of intricate drawings hand-rendered onto paper through a digitally-derived image generation process. For their inception, Hope generates and manipulates three-dimensional models and spaces using various computer-aided design softwares. He subsequently hand-translates these digital compositions into two-dimensional drawings via a labyrinthian, draftsman-like mark making methodology. Intricate yet restrained, Hope’s drawings merge organic and synthetic imagery in fictitious extra-dimensional spaces, folding recognizable motifs into hallucinatory, yet unified scenarios. \n \nHope describes the exhibition title, SLEIGHT OF HAND, as “a slight play on words... slighting referring to the destruction of a castle [in Old English]. The drawings feature many scenes of decay and ruin, or blatant destruction, and synthetic hands, and robotic arms… [the employed digital processes being] a kind of technological threat to the artist’s hand via automated image generation techniques and thinking.” \n \nAlso in SLEIGHT OF HAND are two cast steel sculptures from a series of enlarged facsimiles of common construction tools, originally created in 2010 by a clandestine Chinese aerospace parts manufacturer. Acting as minimalist monuments to the engineering feats of the recent past, Hope examines these tools’ practical beauty by highlighting their Platonic form via contemporary fabrication techniques. Stark and unforgiving, Hope’s sculptures continue the ever-expanding post-minimal approach to art making. He utilizes twenty-first century industrial machine production techniques to construct towering meta-replicas of the very tools used during the process of their own creation.", "type": "exhibition", "url": "sleight-of-hand", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5c6f72357a4366000531a70f", "metadata": { "location": [ { "value": "Schlafly Tap Room" } ], "date": [ { "value": "Thursday, February 21st, 2019" } ] }, "metadataString": "{\"location\":[{\"value\":\"Schlafly Tap Room\"}],\"date\":[{\"value\":\"Thursday, February 21st, 2019\"}]}", "title": "Ghost Ice @ Schlafly Tap Room ", "wikiBody": "Ghost Ice (Jeremy Kannappel) performing at Schlafly Tap Room", "type": "exhibition", "url": "ghost-ice-schlafly-tap-room", "owner": null, "ownerUserId": null, "wikiVersion": 2, "images": [ "20190221214032jpg-1550807691331.jpg", "20190221214017jpg-1550807691411.jpg", "20190221214015jpg-1550807691510.jpg" ], "assets": [] }, { "_id": "5c70d8fb7a4366000531a715", "metadata": { "location": [ { "value": "Schlafly Tap Room, St. Louis " } ], "date": [ { "value": "Thursday, February the 21st, 2019" } ] }, "metadataString": "{\"location\":[{\"value\":\"Schlafly Tap Room, St. Louis \"}],\"date\":[{\"value\":\"Thursday, February the 21st, 2019\"}]}", "title": "Fuck Lungs at Schlafly Tap Room ", "wikiBody": "Fuck Lungs playing at Schlafly Tap room in St. Louis", "type": "exhibition", "url": "fuck-lungs-at-schlafly-tap-room", "owner": null, "ownerUserId": null, "wikiVersion": 2, "assets": [], "images": [ "20190221223528jpg-1550899642169.jpg", "20190221223527jpg-1550899642232.jpg", "20190221223523jpg-1550899642288.jpg", "20190221222804jpg-1550899642336.jpg" ] }, { "_id": "5c8896a818649b00055f1c68", "metadata": { "location": [ { "value": "Hong Kong" } ], "date": [ { "value": "2019-03" } ], "gallery": [ { "value": "Oui.Gallery" } ], "dateOpening": { "value": "2019-03-13" }, "timestamp": 1552455336805 }, "metadataString": "{\"location\":[{\"value\":\"Hong Kong\"}],\"date\":[{\"value\":\"2019-03\"}],\"gallery\":[{\"value\":\"Oui.Gallery\"}],\"dateOpening\":{\"value\":\"2019-03-13\"}}", "title": "Entropic Bodies HK 03", "wikiBody": "This is the roaming exhibition in Hong Kong.", "type": "exhibition", "url": "entropic-bodies-hk-03", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5ca38607f632240005bf4c55", "metadata": { "location": [ { "value": "Saint Louis" } ], "date": [ { "value": "2019-04-02" } ], "curator": [ { "value": "Tyler Mathews" } ], "gallery": [ { "value": "Venture Cafe Saint Louis", "groupId": -1 } ], "sponsor": [ { "value": "Fabricatorz Foundation" } ], "link": [ { "value": "https://artifaq.io/search/atm" } ] }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis\"}],\"date\":[{\"value\":\"2019-04-02\"}],\"curator\":[{\"value\":\"Tyler Mathews\"}],\"gallery\":[{\"value\":\"Venture Cafe Saint Louis\",\"groupId\":-1}],\"sponsor\":[{\"value\":\"Fabricatorz Foundation\"}],\"link\":[{\"value\":\"https://artifaq.io/search/atm\"}]}", "title": "Art Tech Media Saint Louis", "wikiBody": "There were 14 Art + Technology + Media presentations by 24 presenters in Saint Louis.\r\n\r\n### Previous Presenters\r\n\r\n- [Lee Kratzer](https://artifaq.io/person/lee-kratzer)\r\n- [Rachel Youn](https://artifaq.io/person/rachel-youn)\r\n- Eric Dontè\r\n- [Kevin Harris](https://artifaq.io/person/kevin-harris)\r\n- Dylan Schnitker\r\n- [Marina Peng](https://artifaq.io/person/marina-peng)\r\n- [Evan T.](https://artifaq.io/person/evan-t-smith) & [Stacey Smith](https://artifaq.io/person/stacey-smith)\r\n- Meghan Grubb\r\n- Aaron Owens\r\n- Drew Nikonowicz\r\n- Hayden Molinarolo\r\n- Jonathana Hanahan\r\n- PWMD (Paal Williams & Marissa Dembkosk)\r\n- James C. Krane\r\n- Honna Veerkamp\r\n- Foveal Media\r\n- Alexa Clavijo\r\n- [Maxwell Foley](https://artifaq.io/person/maxwell-foley)\r\n- Ian Patrick Cunningham\r\n- Ann Johnson\r\n- Saylor Surkamp\r\n- Happy Badger / Rampant Stuido\r\n- Tyler Mathews\r\n- Exist Magazine\r\n\r\n### Past Art Tech Meetups\r\n\r\n- [ATMSTL 14](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-14)\r\n- [ATMSTL 13](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-13)\r\n- [ATMSTL 12](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-12)\r\n- [ATMSTL 11](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-11)\r\n- [ATMSTL 10](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-10)\r\n- [ATMSTL 09](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-09)\r\n- [ATMSTL 08](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-08)\r\n- [ATMSTL 07](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-07)\r\n- [ATMSTL 06](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-06)\r\n- [ATMSTL 05](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-05)\r\n- [ATMSTL 04](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-04)\r\n- [ATMSTL 03](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-03)\r\n- [ATMSTL 02](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-02)\r\n- [ATMSTL 01](https://artifaq.io/lecture/atm-art-tech-meetup-st-louis-01)\r\n", "type": "exhibition", "url": "art-tech-media-saint-louis", "owner": null, "ownerUserId": null, "wikiVersion": 1, "assets": [], "images": [] }, { "_id": "5cb69a11394f25000589e35a", "metadata": { "location": [ { "value": "Paris" }, { "value": "France" } ], "date": [ { "value": "April 15, 2019" } ], "link": [ { "value": "https://en.wikipedia.org/wiki/Notre-Dame_de_Paris" } ], "exhibitionType": [ { "value": "Group" } ], "dateOpening": { "value": "April 15, 2019" }, "sponsor": [ { "value": "New Palmyra" } ] }, "metadataString": "{\"location\":[{\"value\":\"Paris\"},{\"value\":\"France\"}],\"date\":[{\"value\":\"April 15, 2019\"}],\"link\":[{\"value\":\"https://en.wikipedia.org/wiki/Notre-Dame_de_Paris\"}],\"exhibitionType\":[{\"value\":\"Group\"}],\"dateOpening\":{\"value\":\"April 15, 2019\"},\"sponsor\":[{\"value\":\"New Palmyra\"}]}", "title": "Notre-Dame de Paris 2019", "wikiBody": "This is an online collection of photos of Notre-Dame de Paris being gathered by New Palmyra from the community. New Palmyra makes a call: \"The Notre-Dame de Paris was a tragedy,\" said Barry Threw, Executive Director of New Palmyra and the Bassel Khartabil Fellowship. \"Bassel Khartabil developed the Aiki technology that powers New Palmyra's platform, Artifaq which allows us to gather photos from the public and use those through 'photogrammetry' to model various versions, past and present of Notre-Dame de Paris for a future version we may all take part in building.\"\n\nTo share you photo please:\n\n- [Create an Account on Artifaq](https://artifaq.io)\n- Edit this Exhibition\n- Share Your Photos\n- Join Our Chat\n\n\n[Photo from Wikipedia](https://en.wikipedia.org/wiki/Notre-Dame_de_Paris#/media/File:Notre_Dame_de_Paris_DSC_0846w.jpg)", "type": "exhibition", "url": "notre-dame-de-paris-2019", "owner": null, "ownerUserId": null, "wikiVersion": 3, "assets": [], "images": [ "667pxNotreDamedeParisDSC0846wjpg-1555470897009.jpg" ] }, { "_id": "5cd25c0bf1514200056194be", "metadata": { "location": [ { "value": "Saint Louis" } ], "date": [ { "value": "2018-04-27" } ] }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis\"}],\"date\":[{\"value\":\"2018-04-27\"}]}", "title": "ONG", "wikiBody": "ONG1 took place on April 27, 2018. It was the launch of Fabricatorz Foundation.", "type": "exhibition", "url": "ong", "owner": null, "ownerUserId": null, "wikiVersion": 3, "assets": [], "images": [ "ONGShowatCortex142400jpg-1557341143840.jpg", "ONGShowatCortex162400jpg-1557341143843.jpg", "ONGShowatCortex212400jpg-1557341143845.jpg", "ongdylanschnitker1280x7201secmp4gif-1557351770494.gif", "e45bdccdb32d41d781987dd3eb257ce11280x7201secmp4gif-1557351770519.gif", "a7f353229c0149bd81b9a20db6d990461280x7201secmp4gif-1557351770537.gif", "62ba996b91374f7ca6e9c46fd1adb57d1280x7201secmp4gif-1557351770563.gif", "460b7fab7d9e4dd7a72a9a6e1d0ee8e11280x7201secmp4gif-1557351770590.gif", "21def7b65b9e4c06b8d8edf585665c8e1280x7201secmp4gif-1557351770611.gif", "0e109d1097894553998e1915db8f0c3b1280x7201secmp4gif-1557351770622.gif", "fa47f3c0682f412a81a59e3717ea04ce1280x720jpg-1557351770635.jpg" ] }, { "_id": "5cd25c26f1514200056194c2", "metadata": { "location": [ { "value": "Saint Louis" }, { "value": "Biota" } ], "date": [ { "value": "2019-04-27" } ], "curator": [ { "value": "Fabricatorz Foundation", "groupId": -1 } ], "gallery": [ { "value": "Oui.Gallery" } ], "sponsor": [ { "value": "Fabricatorz Foundation" }, { "value": "Redbull" }, { "value": "4 Hands Brewing" }, { "value": "Oui.Gallery" }, { "value": "Breakerspaces" }, { "value": "Artifaq" }, { "value": "Qi Hardware" } ], "exhibitionType": [ { "value": "Experience" }, { "value": "Groupshow" } ], "link": [ { "value": "https://ong.gg/2/" } ] }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis\"},{\"value\":\"Biota\"}],\"date\":[{\"value\":\"2019-04-27\"}],\"curator\":[{\"value\":\"Fabricatorz Foundation\",\"groupId\":-1}],\"gallery\":[{\"value\":\"Oui.Gallery\"}],\"sponsor\":[{\"value\":\"Fabricatorz Foundation\"},{\"value\":\"Redbull\"},{\"value\":\"4 Hands Brewing\"},{\"value\":\"Oui.Gallery\"},{\"value\":\"Breakerspaces\"},{\"value\":\"Artifaq\"},{\"value\":\"Qi Hardware\"}],\"exhibitionType\":[{\"value\":\"Experience\"},{\"value\":\"Groupshow\"}],\"link\":[{\"value\":\"https://ong.gg/2/\"}]}", "title": "ONG2", "wikiBody": "This is the stub page for ONG2.", "type": "exhibition", "url": "ong2", "owner": null, "ownerUserId": null, "wikiVersion": 1, "assets": [], "images": [] }, { "_id": "5d39623433e7410005a3de03", "metadata": { "location": [ { "value": "Hong Kong" } ], "date": [ { "value": "2019" } ], "gallery": [ { "value": "Oui.Gallery" } ], "dateOpening": { "value": "2019-07-11" }, "exhibitionType": [ { "value": "Solo" } ], "timestamp": 1564041780862 }, "metadataString": "{\"location\":[{\"value\":\"Hong Kong\"}],\"date\":[{\"value\":\"2019\"}],\"gallery\":[{\"value\":\"Oui.Gallery\"}],\"dateOpening\":{\"value\":\"2019-07-11\"},\"exhibitionType\":[{\"value\":\"Solo\"}]}", "title": "Dimsum Thensum", "wikiBody": "Opening of projects created from TJ Hughes game Nour and time in Hong Kong.", "type": "exhibition", "url": "dimsum-thensum", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5dc8ec83ceefff000720cb42", "metadata": { "location": [ { "value": "Treffpunkt" }, { "value": "St. Louis" } ], "date": [ { "value": "July 13, 2019" } ], "timestamp": 1573448835403 }, "metadataString": "{\"location\":[{\"value\":\"Treffpunkt\"},{\"value\":\"St. Louis\"}],\"date\":[{\"value\":\"July 13, 2019\"}]}", "title": "ong3", "wikiBody": "", "type": "exhibition", "url": "ong3", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5f04f9503fa5af00074e8c27", "metadata": { "location": [ { "value": "Saint Louis" } ], "date": [ { "value": "2020-09-11" } ], "timestamp": 1594161488140 }, "metadataString": "{\"location\":[{\"value\":\"Saint Louis\"}],\"date\":[{\"value\":\"2020-09-11\"}]}", "title": "Monuments at Risk", "wikiBody": "Gather monuments that have been removed since the George Floyd Protests began since May 26, 2020. Focus on a small set, such as Saint Louis.\r\n\r\n## Monuments Removed\r\n\r\n## Monuments At Risk", "type": "exhibition", "url": "monuments-at-risk", "owner": null, "ownerUserId": null, "wikiVersion": 0 }, { "_id": "5f7fabbb781ce200114eb6d3", "type": "exhibition", "metadata": { "artist": [ { "value": "" } ], "year": { "value": 2020 }, "location": [ { "value": "Mun~oz Waxman Gallery, Center for Contemporary Art, Santa Fe, New Mexico" } ], "date": [ { "value": "2011-07-07T06:00:00.000Z" } ], "gallery": [ { "value": "Munoz Waxman Gallery" } ], "curator": [ { "value": "Meow Wolf" } ], "exhibitionType": [ { "value": "Immersive" } ], "sponsor": [], "link": [ { "value": "loci.duereturn.org" } ], "timestamp": 1602202555919 }, "metadataString": "{\"artist\":[{\"value\":\"\"}],\"year\":{\"value\":2020},\"location\":[{\"value\":\"Mun~oz Waxman Gallery, Center for Contemporary Art, Santa Fe, New Mexico\"}],\"date\":[{\"value\":\"2011-07-07T06:00:00.000Z\"}],\"gallery\":[{\"value\":\"Munoz Waxman Gallery\"}],\"curator\":[{\"value\":\"Meow Wolf\"}],\"exhibitionType\":[{\"value\":\"Immersive\"}],\"sponsor\":[],\"link\":[{\"value\":\"loci.duereturn.org\"}]}", "ownerUserId": null, "wikiBody": "An interdimensional ship visits Santa Fe and welcomes guests.", "images": [], "title": "Due Return", "url": "due-return", "owner": { "iat": 1602202301, "exp": 1602288701 }, "wikiVersion": 0 }, { "_id": "620ff2067ea6580012e59f5e", "type": "exhibition", "metadata": { "artist": [ { "value": "" } ], "year": { "value": 2022 }, "dateOpening": { "value": "1965/02/15" }, "exhibitionType": [], "link": [ { "value": "http://dada.compart-bremen.de/item/exhibition/164" }, { "value": "http://dada.compart-bremen.de/item/Institution/136" }, { "value": "http://dada.compart-bremen.de/item/publication/315" } ], "location": [ { "value": "Erlangen" }, { "value": "Germany" }, { "value": "University of Stuttgart" } ], "gallery": [ { "value": " Studiengalerie der TH Stuttgart" } ], "sponsor": [], "timestamp": 1645212166060 }, "metadataString": "{\"artist\":[{\"value\":\"\"}],\"year\":{\"value\":2022},\"dateOpening\":{\"value\":\"1965/02/15\"},\"exhibitionType\":[],\"link\":[{\"value\":\"http://dada.compart-bremen.de/item/exhibition/164\"},{\"value\":\"http://dada.compart-bremen.de/item/Institution/136\"},{\"value\":\"http://dada.compart-bremen.de/item/publication/315\"}],\"location\":[{\"value\":\"Erlangen\"},{\"value\":\"Germany\"},{\"value\":\"University of Stuttgart\"}],\"gallery\":[{\"value\":\" Studiengalerie der TH Stuttgart\"}],\"sponsor\":[]}", "ownerUserId": 1, "wikiBody": "This is considered the first official show of computer generated generative art.", "images": [ "ScreenShot20220218at12205PMpng-1645212130536.png" ], "title": "Computergrafik", "url": "computergrafik", "owner": { "_id": 1, "username": "rejon", "url": "http://rejon.org", "email": "jon@rejon.org", "isAdmin": true, "follows": [ 22, 41, 111, 110 ], "iat": 1645197268, "exp": 1646493268 }, "wikiVersion": 0 }, { "_id": "63ed7bd9e53378001aee60f3", "type": "exhibition", "metadata": { "artist": [ { "value": "" } ], "year": { "value": 2023 }, "location": [ { "value": "Vellum LA" }, { "value": "Los Angeles" } ], "date": [ { "value": "2023-02-16T08:00:00.000Z" } ], "timestamp": 1676508121848 }, "metadataString": "{\"artist\":[{\"value\":\"\"}],\"year\":{\"value\":2023},\"location\":[{\"value\":\"Vellum LA\"},{\"value\":\"Los Angeles\"}],\"date\":[{\"value\":\"2023-02-16T08:00:00.000Z\"}]}", "ownerUserId": 1, "wikiBody": "Thur, Feb 16, Fabricatorz along with @vellum_la and @feralfile present acclaimed multimedia artist Lu Yang’s (@luyangasia) first solo exhibition, Material Wonderland.\n\nThe exhibition showcases 8 new NFT-backed video loops as well as a large-scale triptych rendered from the artist’s interactive computer game The Great Adventure of Material World (2019).\n\nCurated by @barrythrew and @alicescope \n\nRSVP to the physical opening → https://bit.ly/luyangsoloshow\n\n🗓️ Thur, Feb 16, 6pm PST in Los Angeles at Vellum LA", "images": [ "BDAA9623197B48CFA250D318C286FCD9jpeg-1676508113190.jpeg", "D7A5744D3CD34457BCED6A5F7C04F245jpeg-1676508116306.jpeg" ], "title": "Material Wonderland", "url": "material-wonderland", "owner": { "_id": 1, "username": "rejon", "url": "http://rejon.org", "email": "jon@rejon.org", "isAdmin": true, "follows": [ 22, 41, 111, 110 ], "iat": 1676507895, "exp": 1677803895 }, "wikiVersion": 0 } ]